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Will Tizard Contributor Minimalist documentarian Roberto Minervini says he long ago fell in love with “the physicality of the camera” – a passion so strong, he now demands that his camera operators learn controlled breathing and work out extensively before a shoot can begin. There’s nothing that bothers him more, he told fans at the Ji.hlava Intl. Documentary Film Festival, than detecting slight movements of the frame from the cameraperson’s breathing.

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China’s Pingyao Film Festival Announces Full Line-Up; Opening Film ‘A River Without Tears’ & ‘Yellow Earth’ Restoration

Pingyao International Film Festival (PYIFF) has announced the line-up for its eighth edition, including its Crouching Tigers and Hidden Dragons sections, and opening film A River Without Tears.

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TIFF Wavelengths Program Set With Films From Miguel Gomes, Roberto Minervini, Wang Bing & More

The 49th edition of the Toronto International Film Festival presented by Rogers has set their Wavelengths and Classics section. Wavelengths includes 11 movies, and 3 short programs and a special in-cinema looped presentation with diverse works from established auteurs and emerging talent.

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Chinese Film ‘Black Dog’ Takes Top Cannes Un Certain Regard Prize

Chinese director Hu Guan’s drama Black Dog won the top Cannes Un Certain Regard Prize on Friday evening.

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‘The Damned’ Review: In His Latest Look at America’s Margins, Roberto Minervini Travels Back to the Civil War

Peter Debruge Chief Film Critic Set during the Civil War, a long way from the front lines, Roberto Minervini’s “The Damned” continues the Italian helmer’s career-long examination of the rifts and affinities between overlooked segments of American society. Apart from one long, destabilizing battle with an unseen adversary, the portrayal is a relatively peaceful one, following a group of Union soldiers assigned to scout the Northwestern frontier in 1862.

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Roberto Minervini on Making His Naturalistic U.S. Civil War Drama ‘The Damned’ While the ‘Rust’ Shooting Tragedy Broke – Trailer

Nick Vivarelli International Correspondent Italian-born and Texas-based director Roberto Minervini is known for making hard-hitting documentaries that dissect the backwaters of American society, such as his so-called Texas trilogy comprising “The Passage,” “Low Tide” and “Stop the Pounding Heart.” His most recent doc, “What You Gonna Do When the World’s on Fire?,” about a community of Black people in New Orleans during the summer of 2017 – when a string of brutal killings of Black men sent shockwaves throughout the country – launched from the Venice competition section in 2018. “The Damned,” which premieres on Thursday in Cannes’ Un Certain Regard and is Minervini’s first fiction feature, is set during the American Civil War in the winter of 1862.

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Roberto Minervini’s Cannes-Bound ‘The Damned’ Debunks Heroism of War, Says Director – Watch Teaser (EXCLUSIVE)

Nick Vivarelli International Correspondent Italian-born Texas-based director Roberto Minervini is known for a distinguished career making documentaries including his so-called Texas trilogy comprising “The Passage,” “Low Tide” and “Stop the Pounding Heart.” His most recent doc “What You Gonna Do When the World’s On Fire?” about a community of Black people in New Orleans during the summer of 2017, when a string of brutal killings of Black men sent shockwaves throughout the country, launched from the Venice competition in 2018. “The Damned,” which is Minervini’s first feature film, is set during the American Civil War in the winter of 1862.

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Venice Gap-Financing Market Includes Projects by Jim Sheridan, Annemarie Jacir, Roberto Minervini

Leo Barraclough International Features Editor The 10th edition of the Venice Gap-Financing Market, organized as part of the Venice Film Festival’s industry program Venice Production Bridge, has selected 62 projects in the final stages of development and funding. Filmmakers taking projects to Venice include Jim Sheridan, an Oscar nominee with “In America,” “In the Name of the Father” and “My Left Foot”; Annemarie Jacir, whose credits include Cannes’ “Salt of This Sea,” Berlin’s “When I Saw You” and Locarno’s “Wajib”; Aisling Walsh, who directed “Maudie” with Sally Hawkins and Ethan Hawke, and “Elizabeth Is Missing” with Glenda Jackson; and Kim Mordaunt, who won best debut at Berlin with “The Rocket.”

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Laura Poitras, Aurélia Petit Join Iran Protest at BFI London Film Festival – Global Bulletin

Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.

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BFI London Film Festival Unveils Competition Juries

Manori Ravindran International Editor The London Film Festival has revealed its jury line-up for this year’s awards. The Official Competition jury is led by “Power of the Dog” and “Cold War” producer Tanya Seghatchian (pictured), while the First Feature Competition (Sutherland Award) jury will be headed up by director and actor Nana Mensah whose directorial debut “Queen of Glory” won the Best New Narrative Director prize at the 2021 Tribeca Film Festival. Elsewhere, Italian filmmaker Roberto Minervini will lead the jury selecting the winner of the Grierson Award for Best Documentary after winning the award in 2018 for his film “What You Gonna Do When the World’s On Fire.”

Kemp Powers Mark Jenkin Gwendoline Christie Chaitanya Tamhane Roberto Minervini Alice Diop Joy Gharoro-Akpojotor Misan Harriman Nana Mensah Tanya Seghatchian Clement Virgo Marie Kreutzer Britain France Miami Sweden Italy Iceland Canada Austria Germany Belgium Denmark Argentina Syria city Santiago Luxembourg Morocco film art awards Competition

Cannes Best Doc Laureate Payal Kapadia Next Racks Up Production Partners for Petit Chaos (EXCLUSIVE)

John Hopewell Chief International CorrespondentOne year after she dazzled at the Cannes Festival, winning its Golden Eye for best documentary for “A Night of Knowing Nothing,” Payal Kapadia’s fiction debut “All We Imagine as Light,” has attracted the most potent production partner support of any project introduced at this year’s Locarno Match Me!“Night’s” producers. Petit Chaos’ Thomas Hakim, Julien Graff in France and Ranabir Das (also DP and editor on “Night”) at India’s Another Birth will produce “Light.”Also on board, confirmed early July, is Oliver Pere at Arte France Cinéma. Further co-producers take in Zico Maitra and Aastha Singh (Chalk & Cheese, India), Frank Hoeve (Baldr, Netherlands), Gilles Chanial (Les Films Fauves, Luxembourg and, in the latest addition to partners, Denise Lee and Roberto Minervini (Pulpa Films, Italy).

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