Owen Gleiberman - celebsbar.com

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30.01.2025 / 00:49

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‘The Alabama Solution’ Review: Andrew Jarecki’s Powerful Exposé of a Prison System Where Sanctified Lawlessness Is the Law

Owen Gleiberman Chief Film Critic “The Alabama Solution” is one of the most powerful exposés of the inhumanity of the American prison system I’ve ever seen. Directed by Andrew Jarecki (“Capturing the Friedmans,” “The Jinx”) and Charlotte Kaufman, the movie is a scalding portrait of life on the inside that exerts a grip worthy of a thriller. It’s an investigative documentary, filmed over five years, much of it in and around the Easterling Correctional Facility in Southeast Alabama, that doesn’t merely show us the chronic abuse of prisoners.

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‘Lurker’ Review: A Geek Edges Himself Into a Pop Star’s Inner Circle in Alex Russell’s Nifty and Unnerving Parable of the Pathology of Fame

Owen Gleiberman Chief Film Critic “Lurker” is a tight, nifty, and unsettling little parable of the pathology of fame in our time. It tells the story of Matthew (Théodore Pellerin), a nobody who works in one of those bare-bones L.A. clothing boutiques, and how he insinuates himself into the inner circle of Oliver (Archie Madekwe), a budding pop star who has legions of screaming fans but is trying to leap to the next level.

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‘Moana 2’ Is Now Streaming: How to Watch the Animated Sequel at Home

Moana 2” became a huge box office performer taking in more than $1 billion at the worldwide box office. And in case you missed it in theaters, the film is now streamable at home. The sequel arrives on premium video on-demand on Tuesday, Jan.

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‘It’s Never Over, Jeff Buckley’ Review: Amy Berg’s Documentary Reverently Captures the Late Rocker With the Voice of an Angel

Owen Gleiberman Chief Film Critic The human voice, as we all know, is as much of a musical instrument as any other instrument. But Jeff Buckley had a voice that was so breathtaking, so ethereally soaring, so reaching for the heavens in its virtuosity that it’s as if he’d been given a different instrument from everyone else in pop and rock. Not that he wasn’t profoundly influenced.

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‘Peter Hujar’s Day’ Review: Ben Whishaw Plays the Noted New York Photographer in Ira Sachs’ Magical 1974 Time Capsule of a Movie

Owen Gleiberman Chief Film Critic In the ever-shifting world of the biopic, a biopic can be many different things. It can be like a novel (if it covers someone’s entire life). It can have the more concentrated quality of a short story (if it’s set during one key period).

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‘Rebuilding’ Review: Josh O’Connor Is a Rancher Who’s Lost Everything in a Drama That Mostly Just Sits There

Owen Gleiberman Chief Film Critic “Rebuilding” belongs to a genre that’s now past its sell-by date: the slow-moving Sundance red-state movie. By red state, I don’t mean that the politics are right wing in any overt way. I mean that the drama is mired in the fetishistic trappings of the American West — the horses and farm houses, the sunbaked wilderness, the small-town banks and bare-bones convenience stores, the men walking around in Stetsons and cowboy boots, the dialogue that’s so laconic you could drive a pickup truck between the lines.

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‘The Thing with Feathers’ Review: Benedict Cumberbatch Plays a Widowed Father in a Movie That’s Overly Literal About Turning Grief into — Yes — an Oversize Crow

Owen Gleiberman Chief Film Critic In “The Thing with Feathers,” Benedict Cumberbatch plays a London creator of graphic novels who, quite suddenly, finds himself a widower (his beloved wife collapsed on the kitchen floor and died). In an early scene, we see him try and sustain an atmosphere of everyday normality as he puts breakfast together for his two young sons. But it’s not happening.

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‘Ricky’ Review: A Powerful Sundance Drama About a Young Man Just Out of Prison Navigating a World of Booby Traps Establishes Rashad Frett as a Born Filmmaker

Owen Gleiberman Chief Film Critic A dozen years ago, at the 2013 Sundance Film Festival, I sat in the Eccles Theatre and watched “Fruitvale” (later entitled “Fruitvale Station”), Ryan Coogler’s true-life drama about Oscar Grant, a young man who was fatally shot by Bay Area police, even though he had done nothing. By the time the film ended, everyone in the audience knew that we’d seen something straight-up extraordinary, and that Coogler was a born filmmaker.

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‘Sly Lives! (aka The Burden of Black Genius)’ Review: Questlove’s Sly Stone Doc Is Dazzling and Definitive

Owen Gleiberman Chief Film Critic “Sly Lives! (aka The Burden of Black Genius)” is a dazzling and definitive funk-pop documentary. It’s the second “jawn” directed by Ahmir “Questlove” Thompson, and he has leveled up from his first, “Summer of Soul (…or, When the Revolution Could Not Be Televised)” — though that lyrical-flashback-to-1969-in-Harlem concert film, in its way, was beautiful. In “Sly Lives!,” Questlove confronts the life and legacy of Sly Stone, investigates it, holds it up to the light, tears it apart, and puts it back together like the bravura mixmaster he is.

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She Works Hard for the Money: ‘The Last Showgirl’ Embodies Our Changing Attitude Toward Sex Workers

Owen Gleiberman Chief Film Critic Not so long ago, sex workers had a less than rosy image in the movies, and in the culture at large. For starters, they weren’t called “sex workers.” When Demi Moore played one in 1996, the title of that movie was “Striptease.” And in reviews I’ve written of more movies than I can count, I’ve referred to people who get paid to have sex with their clients as “prostitutes.” The newfound stigmatization of that word — and of the word “stripper” — represents a sea change in how sex work is perceived: not as a special, sordid, semi-underground occupation but simply as…work.

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‘Midas Man’ Review: Brian Epstein, the Manager of the Beatles, Gets a Biopic That’s TV-Movie Basic, with a Few Affecting Moments

Owen Gleiberman Chief Film Critic Almost anyone who grew up with the Beatles knows a few key things about their manager, Brian Epstein, the subject of the new biopic “Midas Man.” You might know that he ran a popular record store in Liverpool when he first saw the Beatles perform at the Cavern Club and realized that it was his destiny to manage them. You almost surely know that it was Epstein who made over the Beatles’ image, taking four scruffy working-class rockers in black leather jackets, dressing them in collarless gray suits and giving them those fabled moptop haircuts — the look that launched a thousand screams.

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‘A Complete Unknown’ Channels the Secret of Bob Dylan

Owen Gleiberman Chief Film Critic “A Complete Unknown” is the rare Hollywood movie that has inspired a reckoning. Everywhere, on social media, in mainstream media, or simply on the part of so many who have seen the film, a tingling conversation is taking place — a kind of collective meditation/investigation into who Bob Dylan was, who he is, what he meant back then and what he means now. What’s striking is that very little of this is Dylan nostalgia — i.e., the boomers getting misty-eyed with self-importance about “their” beloved icon.

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‘Back in Action’ Review: Jamie Foxx and Cameron Diaz in a Domestic Spy Caper as Generic as Its Title

Owen Gleiberman Chief Film Critic In “Back in Action,” a domestic spy caper as generic as its title, Jamie Foxx and Cameron Diaz, as CIA operatives who’ve become a romantic couple, attend a kids’ birthday party thrown by a cyberterrorist from Belarus whose safe they’re planning to break into. But their identities are unmasked in about five minutes. They have to fight their way out of the criminal’s mansion, which they do in an extended sequence of bone-breaking face-offs, all accompanied by Frank Sinatra singing “L.O.V.E.” (“L…is for the way you look… at me…”).

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Facts About Owen Gleiberman

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Facts About Owen Gleiberman

Who is Owen Gleiberman?

Why is Owen Gleiberman in the spotlight?

Where can I find the latest news about Owen Gleiberman?

Is there a full biography of Owen Gleiberman available?

What are the most talked-about moments involving Owen Gleiberman?