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Seth Rogen and Rose Byrne Are a Tough Hang in ‘Platonic’: TV Review
Alison Herman TV Critic The Apple TV+ comedy “Platonic” is a reunion of the 2014 movie “Neighbors” (and its 2016 sequel “Neighbors 2: Sorority Rising”), again pairing stars Seth Rogen and Rose Byrne with the writer and director Nicholas Stoller. But “Platonic” also models itself after another, more enduring classic: Nora Ephron’s “When Harry Met Sally,” a film explicitly referenced in the pilot of “Platonic” and the greatest work of art drawn from the essentially trite question of whether (straight) men and women can be friends. In “Neighbors,” Rogen and Byrne played spouses. In “Platonic,” they’re long-estranged besties who rekindle their codependent bond. As premises go, it’s a thin one. Ephron’s opus is now 34 years old, and even “When Harry Met Sally” was less seriously engaged with the idea of friendship between the sexes than using the setup as a showcase for Ephron’s wit, Meg Ryan’s charm and Ryan’s chemistry with Billy Crystal. “Men and women don’t really hang out with each other at our age,” says Sylvia (Byrne), a former lawyer who’s now a stay-at-home mother of three. Her argument is half-hearted, unconvincing and immediately dismissed by her husband Charlie (Luke Macfarlane), who encourages Sylvia to get in touch with craft brewer Will (Rogen) in the wake of his divorce. 
metroweekly.com
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‘Bros’ Review: You’ve Got Male
A heartfelt, hilarious classic Hollywood-style romantic comedy, Bros (★★★★☆) doesn’t screw around with the formula of forebears like When Harry Met Sally or You’ve Got Mail. Rather, the movie — produced by Judd Apatow, directed by Nicholas Stoller (Forgetting Sarah Marshall), and co-written by Stoller and star Billy Eichner — delivers fresh takes on tropes that worked for those films, while trafficking in jokes and situations they never touched.With tart dialogue and earnest intent, Bros leans into the romance of the giddy first kiss, and the determined dash across town to declare one’s love right now in front of an audience of awww-ing friends who will dance out the scene in a joyful montage.The filmmakers’ attention to genre detail includes layering Bros with that rare, underrated quality of a good romantic comedy: a believable resistance to romance. To stir the pot, somebody or something has to be standing in the way of happily ever after.Here, the culprits are our lead pair of lovebirds, commitment-shy New Yorkers Bobby (Eichner) and Aaron (Luke Macfarlane), who at least commit to a text-assisted dance of hooking up and sort of dating, after meeting at a club.Their rocky progress towards a climax, or several climaxes, follows a familiar rom-com path, but with both the rom and the com rendered through the specific lens of Bobby and Aaron’s modern gay experience.

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