Diana Ross: Last News

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All news where Diana Ross is mentioned

hellomagazine.com
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Tracee Ellis Ross showcases curves in skin-tight catsuit – fans mistake her for Kim Kardashian
Tracee Ellis Ross channeled Kim Kardashian in her latest look, donning a skin-tight catsuit for a series of show-stopping photos.LOOK: Tracee Ellis Ross looks unbelievable in latest filter-free swimsuit photoDressed head to toe in black, with Balenciaga sunglasses and statement earrings, Tracee rocked Kim K's trademark all-in-one look, and fans were quick to comment.WATCH: Tracee Ellis Ross' Hot Ones episode"I thought it was Kim Kardashian!", one wrote, while another said: "It's giving black Kim K."MORE: Tracee Ellis Ross looks sensational in green bikini as she poses by the poolLOOK: Tracee Ellis Ross' rare photo with famous mother Diana Ross is stunningOthers didn't make the comparison to the The Kardashians star, but were full of praise for the statement look."Thank you for being so fashion-forward and inspirational!" one wrote, while another said: "This is such a powerful picture! You look stunning." Tracee Ellis Ross channeled Kim K in her latest lookAnother fan went so far as to call Tracee the "sexiest woman in the world" – what a compliment!MORE: Tracee Ellis Ross wows in crop top during gorgeous photoshootAside from pulling out all the stops when it comes to her outfits, the actress has been busy launching her hair care brand, Pattern.
variety.com
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‘Is That Black Enough for You?!?’ Review: Elvis Mitchell’s Intoxicating Deep Dive into the Black Cinema Revolution of the ’70s
Owen Gleiberman Chief Film Critic In “Is That Black Enough for You?!?,” Elvis Mitchell’s highly pleasurable and eye-opening movie-love documentary about the American Black cinema revolution of the late ’60s and ’70s, Billy Dee Williams, now 85 but still spry, tells a funny story about what it was like to play Louis McKay, the dapper love object and would-be savior of Billie Holiday in “Lady Sings the Blues.” The year was 1972, and African-American audiences had rarely (if ever) been given the chance to gawk at a movie star of color who was not just this sexy but this showcased for his sexiness. Louis was like Clark Gable with a dash of Marvin Gaye; when he was on that promenade stairway, Williams says that he just about fell in love with himself. That’s how unprecedented the whole thing was. The actor recalls how the lighting was fussed over (we see a shot in which Louis appears bathed in an old-movie glow), and how unreal that was to him on the set. At the time, Black actors didn’t get lighting like that. But Black audiences drank it in with a better-late-than-never swoon, even as they knew that this was a representation they’d been denied for more than half a century.
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