Coralie Fargeat: Last News

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At Variety’s TIFF Cover Party, Demi Moore Says ‘The Substance’ Has ‘Powerful Themes About Aging and Beauty’

Brent Lang Executive Editor The “Demi-ssance” is taking the Toronto Film Festival by storm. And Demi Moore, who is at the center of the tempest thanks to her go-for-broke performance as an actress who makes a pact with the devil in return for eternal youth in “The Substance,” was celebrated on Friday night at the Variety Cover Party at TIFF, sponsored by J.
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This new Demi Moore horror film has a perfect score on Rotten Tomatoes
Demi Moore‘s new horror film The Substance has landed a perfect score on Rotten Tomatoes after premiering at the Cannes Film Festival.The new film from director and writer Coralie Fargeat is a body horror that focuses on the titular product, which allows people to create a younger and more perfect alter ego.The movie, which also stars Margaret Qualley and Dennis Quaid, made its debut at the festival yesterday (May 19), and critics have shared their praise, with the film debuting with 100 per cent on Rotten Tomatoes.IndieWire called The Substance a “camp-adjacent instant classic [that] aspires to cast off with some of the most spectacularly disgusting body horror this side of The Fly or the final minutes of Akira.”Screen International said that “this potent body horror is executed with skill and compassion, bringing fresh insights alongside generous helpings of graphic gore”.“The Substance draws excellent performances from Demi Moore as a has-been Hollywood star and Margaret Qualley as the younger, prettier version she creates by injecting herself with the titular serum,” they added.Deadline suggested the film is like “David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers“, calling it “the perfect breakout genre movie of the year”.The ongoing Cannes Film Festival recently saw the premiere of Francis Ford Coppola’s long-awaited passion project Megalopolis, which has drawn a mixed reaction including some boos from the audience.The film, which stars Adam Driver as an architect-scientist who wants to improve a fictional version of New York City called New Rome, currently sits at 52 per cent on Rotten Tomatoes.The Guardian called the film “a passion project without passion”, though The
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Cannes Film Festival Jury: Lily Gladstone, Eva Green, Omar Sy and More Join President Greta Gerwig
Ellise Shafer The full Cannes Film Festival competition jury has been revealed. Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.” The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides” by Jia Zhang-Ke; Jacques Audiard’s “Emilia Perez” with Zoe Saldaña and Selena Gomez; “The Girl With the Needle” by Magnus von Horn; Miguel Gomes’ “Grand Tour,” Yorgos Lanthimos’ “Kinds of Kindness,” starring “Poor Things” actors Emma Stone and Willem Dafoe; “Beating Hearts” by Gilles Lellouche; “Limonov: The Ballad” by Kirill Serebrennikov; “Marcello Mio” by Christophe Honoré; Francis Ford Coppola’s epic passion project “Megalopolis,” starring Adam Driver; “Motel Destino” by Karim Aïnouz; Paul Schrader’s “Oh, Canada,” led by Richard Gere and Jacob Elordi; Paolo Sorrentino’s “Parthenope” with Gary Oldman; David Cronenberg’s “The Shrouds”; Coralie Fargeat’s body horror “The Substance”; and “Wild Diamond” from Agathe Riedinger.
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