Anita Pallenberg: Last News

Pat Saperstein Deputy Editor A muse, a mother, a fashionista, an actor, a rock ‘n’ roll icon — it’s hard to describe exactly why Anita Pallenberg remains such a compelling figure more than a half-century after the captivating blonde sang backing vocals on the Rolling Stones’ “Sympathy for the Devil” and starred in movies like “Performance” and “Barbarella.” The new documentary “Catching Fire: The Story of Anita Pallenberg” delves into both the beautiful and tragic moments of her eventful life with the help of a treasure trove of home movies and interviews, as well as an unpublished memoir penned by Pallenberg and narrated by Scarlett Johansson. The footage is coupled with interviews of the Rolling Stones’ Keith Richards, with whom she had a significant relationship, their children Marlon and Angela Richards, director Volker Schlondorff, who cast her in some of his films, and her former friends and associates.

Pat Saperstein Deputy Editor Magnolia Pictures has released a trailer ahead of the May 3 release of “Catching Fire: The Story of Anita Pallenberg,” about the legendary muse to the Rolling Stones. Scarlett Johansson provides the voice for Pallenberg, based on the words of her unpublished memoir.

In the late 1960s, Gram Parsons, fresh from leaving The Byrds and becoming close pals with the Rolling Stones, signed on to star in a sci-fi film, Saturation 70.

Ralph Fiennes is spending time with filmmaker Svetlana Zill.

Pat Saperstein Deputy Editor Magnolia Pictures has acquired North American rights to “Catching Fire: The Story of Anita Pallenberg,” which premiered at the Cannes Film Festival. The documentary, which was acquired by SK Global Entertainment, tells the story of Anita Pallenberg, the model and actress who rose to fame in the 1960s and ’70s after a chance encounter with the Rolling Stones. Alexis Bloom and Svetlana Zill directed the docu, which features the voice of Scarlett Johansson as Anita, based on the words of her unpublished memoir.

Ellise Shafer A documentary about musician Pete Doherty will have its world premiere at this year’s Zurich Film Festival in the Sounds section. Described as “an intimate film portrait of his scandalous rockstar life,” “Peter Doherty — Stranger in My Own Skin” is helmed by Doherty’s wife, Katia deVidas.

Owen Gleiberman Chief Film Critic What’s the darkest moment you’ve ever seen in a rock ‘n’ roll documentary? Up until now, I’d have said the answer was obvious: the sequence in “Gimme Shelter” where Meredith Hunter, in his lime-green suit, rushes the stage at Altamont with a gun in his hand and gets stabbed in the back, half a dozen times, by a member of the Hell’s Angels. For pure heart of darkness, what could top that? But I’ve just seen “Anita,” Svetlana Zill and Alexis Bloom’s very good documentary about Anita Pallenberg — beautiful and imperious scenester of the ’60s and ’70s, Hollywood actress and icon of scruffy-chic rock royalty, wife of Keith Richards, muse to several of the other Rolling Stones. And there’s a moment in it that made me suck in my breath in shock and horror as much as “Gimme Shelter” does.

Leo Barraclough International Features Editor Cinetic Media is launching sales in Cannes on “Anita,” a documentary about actor-model Anita Pallenberg, which premieres in the Cannes Classics section. In “Anita,” which includes never-seen-before Super 8mm home movies and family photographs, Pallenberg’s words from her unpublished memoir are voiced by Scarlett Johansson. The first-look photo (above) shows Pallenberg and Keith Richards in 1967 in Cannes, where Volker Schlöndorff’s “Degree of Murder,” in which she starred, premiered in competition. Her other screen credits included “Performance,” alongside Mick Jagger, and “Barbarella.”

Deadline confirmed on Tuesday.The sci-fi flick was based on Jean-Claude Forest’s French comic book series and starred Fonda, now 84, as a glamorous futuristic space astronaut as she battles evil across the cosmos.Roger Vadim directed the picture over 50 years ago and while the movie originally wasn’t a box office hit, it became a cult classic over the years.The film earned much praise in the United Kingdom, and it became the year’s second-highest-grossing film. A director, writer and a full cast list have yet to be announced. John Phillip Law, Anita Pallenberg, Milo O’Shea, Marcel Marceau and Claude Dauphin also starred alongside Fonda in “Barbarella.”The “White Lotus” star is currently has several projects under her belt, including a supportive role in the “Spider-Man” spinoff, “Madame Web.”Sweeney, who just launched a production company of her own, also recently finished shooting the movie “National Anthem” with singer Halsey.The Washington-born actress caused a stir earlier this year when she claimed “they don’t pay actors like they used to” — despite her Emmy nomination, starring roles in upcoming movies and her first $3 million mansion.However, in August, she spoke to IndieWire at length about her growing career and that she feels that she has an array of options when picking her roles.

?  Sydney Sweeney, that’s who.The breakout is reportedly gearing up to star in a campy Barbarella reboot. Inspired by a comic book series written by French author Jean-Claude Forest in the early ’60s, the original movie, directed by Fonda’s then-husband Roger Vadim, has developed a cult following since flopping at the box office in 1968, with whispers of a reimagining first circulating in 2018 after Dynamite Entertainment reissued the comic.Paco Rabanne contributed to the wardrobe of the original 1968 film.It’s futile to attempt to distill Barbarella’s plot, but it sees its titular heroine (Fonda), a wide-eyed “astronavigatrix,” travel to faraway planets in the 41st century to retrieve “a positronic ray” from the villain Durand Durand, whom Earth’s inhabitants fear may use it to cause mass destruction.

Jem Aswad Senior Music EditorLike virtually every major rock act in the mid-1970s, the Rolling Stones had become bloated and overblown. After the generation-defining singles of the ‘60s and the stellar string of albums running from “Beggars Banquet” to “Exile on Main Street,” they’d eked out three comparatively uninspired sets that, due to Keith Richards’ formidable heroin addiction and its multiple accompanying legal problems, found Mick Jagger seeking musical foils in guitarist Mick Taylor and then guest keyboardist Billy Preston.