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12.11.2023 / 17:33

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Is ‘The Holdovers’ Really ‘a ’70s Movie’? Or Is It the New ‘Green Book’?

Owen Gleiberman Chief Film Critic In the most shockingly funny moment of Alexander Payne’s “Sideways,” Miles Raymond, the desperate English teacher and wine aficionado (that is, alcoholic with good taste) played by Paul Giamatti, has just learned that his book was turned down by the publisher he had his hopes pinned on. It’s more than a rejection; it’s the death of his dream. Miles is in the middle a chi-chi Napa Valley wine tasting, and suddenly he’s in dire need of a drink.

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Miramax Loved ‘The Holdovers’ ’70s-Style Logo Design So Much It Ended Up Using It on Other Releases

Jazz Tangcay Artisans Editor Director Alexander Payne’s “The Holdovers” roots itself in 1970s nostalgia, right down to the main title design and the studio logos. However, neither company existed at the time. Distributor Focus Features was founded in 2002, while the film’s production company Miramax got started in 1979.

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‘The Holdovers’ Director Alexander Payne Weighs In on AI, Working With Paul Giamatti and Returning to His Greek Roots in Thessaloniki

Savina Petkova Hollywood might have ground to a halt in recent months during the recent labor strikes, with the role of artificial intelligence in the moviemaking business a key stumbling block between studio bosses and both the writers and actors guilds. But two-time Academy Award winner Alexander Payne (“Sideways”) quipped at the Thessaloniki Film Festival this week that when it comes to AI, he’s all for it. “If AI could write a script for me, I would be so happy,” Payne joked.

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Border Town Drama ‘Radical’ With Eugenio Derbez Busts Out In U.S. Debut; ‘Priscilla’ Rocks Expansion – Specialty Box Office

Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion film had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about a dedicated teacher in a troubled Mexican border town.

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Alexander Payne Talks ‘The Holdovers,’ Paul Giamatti Being The “Greatest Actor” And Teases Future Western & French Language Projects — Thessaloniki

Born in Omaha, Nebraska, to two parents of Greek heritage, two-time Oscar winner Alexander Payne was awarded Greek citizenship last year around the time he was working on his latest feature, The Holdovers.

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Daisy Ridley Stars In ‘The Marsh King’s Daughter’, Meg Ryan’s Rom-Com Return, ‘Priscilla’ Expands – Specialty Preview

A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside Attractions at over 1,000.

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Richard Linklater’s ‘Hit Man’ to Open Morocco’s Marrakech Film Festival

Nick Vivarelli International Correspondent Richard Linklater’s action comedy “Hit Man” is set to open the Marrakech International Film Festival, which has announced its lineup of more than 70 films mixing known titles and fresh fare. The fest is forging ahead with its 20th edition, which will run Nov.

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Festival Faves ‘The Holdovers’, ‘Priscilla’ Start Awards Season Runs, Open Well In Limited Release – Specialty Box Office

Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start.

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Indie Bonanza! ‘Priscilla’ (And Its A24 Eye Makeup Kit), ‘The Holdovers’, Doc ‘Four Daughters’, Animated ‘Inspector Sun’ – Specialty Preview

Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there.

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Newport Beach Film Festival Announces 2023 Winners, “American Fiction” and “Monster” Receive Honors (EXCLUSIVE)

Valerie Wu Intern The 2023 annual Newport Beach Film Festival (NBFF), hosted from Oct. 12 to Oct. 19, has announced its slate of awards winners.

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Thierry Frémaux Talks Bringing Classic Cinema Back To Life At The Lumière Film Festival & Nobel Prize Inspiration For Its Honorary Lumière Prize

Thierry Frémaux is best known internationally as the long-time head of France’s Cannes Film Festival, which is organized out of its offices in Paris’s trendy Marais neighborhood.

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San Diego International Film Festival’s Diverse Lineup Features ‘The Holdovers,’ ‘Dream Scenario’

Jaden Thompson Tonya Mantooth, CEO and artistic director of the San Diego International Film Festival, is keenly aware that film is a uniquely immersive medium with the power to connect people — even strangers. And that power will be evident at SDIFF’s 22nd edition, which will run in person Oct.18-22, with screenings at various venues in the San Diego area. The event will also feature panels, Q and A’s, filmmaker happy hours and more special programming.

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Alexander Payne Says He’s Developing An Untitled Western With ‘The Holdovers’ Screenwriter David Hemingson

Filmmaker Alexander Payne (“Sideways,” “The Descendants,”) recently held a Q&A session during the Lumière Film Festival in Lyon, France (via Variety), with Los Angeles-based French film journalist Didier Allouch overseeing that conversation. Payne gave the French audience a big tease about what he’s currently working on, which could allow him to tackle a dream film genre.

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‘Sideways’ Writer-Director Alexander Payne on What Makes a Good Film and What’s Missing in American Cinema

Lise Pedersen Two-time Oscar-winning filmmaker Alexander Payne shared his passion for film and his thoughts on contemporary American cinema with the audience at the Lumière Film Festival in Lyon where he is premiering his eighth feature film, “The Holdovers,” under the French title “Winter Break,” on October 15th. In a conversation skilfully led and translated by Los Angeles-based French film journalist Didier Allouch, Payne drew laughs from the Lumière crowd when he explained that the secret to making good films was “keeping your budgets low.” “John Huston approached Luis Buñuel one day and asked him, ‘How is it that you make these wonderful films, like “Viridiana” and “The Exterminating Angel”?’ And Buñuel replied, ‘How much money do you make and how much money do you think I make?’” said Payne with a smile.

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Newport Beach Film Fest Boasts Strong Lineup of Awards Contenders Including ‘The Holdovers’ and ‘May December’

Jenelle Riley Deputy Awards and Features Editor Co-founder and CEO of the Newport Beach Film Festival Gregg Schwenk muses that there are several reasons the fest, which will run Oct. 12-19 this year, has grown in popularity over the last 24 years. There are, of course, the movies: over 300 films this year, including about 100 features and over 200 shorts from countries all over the world.

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Miami GEMS Film Festival to Open With ‘Radical,’ Close With ‘The Holdovers’

Sharareh Drury Miami Dade College’s Miami Film Festival GEMS has announced the full lineup for its 2023 festival, which will run from Nov. 2-5. The 10th edition of the fest will feature 26 films from 14 countries, all taking place at MDC’s Koubek Center and Silverspot Cinema.

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