Patty Jenkins Pumps The Brakes On ‘Wonder Woman 3’ & Amazons Spin-Off: “I Have No Idea What Will Happen”

Bob Saget, the "Full House" alum who died after being found unresponsive in an Orlando hotel room last month, suffered multiple fractures prior to his death, according to a report. The New York Post’s Page Six, citing the Orange County Medical Examiner’s office, reported that his skull had several fractures and concluded that it is likely that he fell backward and hit the "posterior aspect of his head." He had bleeding and contusions to his brain, the paper said.  Bob Saget attends the Women's Guild Cedars-Sinai Annual Gala at The Maybourne Beverly Hills on November 03, 2021 in Beverly Hills, California.

Council chiefs in South Ayrshire insist they won't levy extra parking charges on workplaces.

Nick Vivarelli International CorrespondentUndeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections. “In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini”), who is among the producers of “The Line” via his Geneva-based Bandita Productions, in tandem with Pauline Gygax.In Switzerland, the film and TV industry held firm last year as one of the few sectors where camera crews and actors continued to work, unlike advertising, which shuttered completely for many months.“It was quite hard because we were shooting without insurance pertaining to anything linked to the pandemic,” Karli says, though some government subsidies were made available for physical productions struck by COVID infections.But, as Karli and other Swiss producers point out, Switzerland is a confederation.

John Hopewell Chief International CorrespondentLola Arabia, the United Arab Emirates label of Oscar-winning Spanish producer Andrés Vicente Gómez (“Belle Epoque”), has struck a 12-movie co-production deal with Dubai-based Charisma Group.The alliance will take in a range of titles, from $2 million-budgeted contemporary comedies to banner productions budgeted at $40 million, revolving around contemporary and historic stories of West Asia.The partners aim to produce an average of four films a year, said Charisma Group co-president Ayham Al Ziyoud.Development has begun on the whole slate. “Although in principle we plan projects with modest budgets, these will be increased in the following year once we find the rights partners outside the Gulf States,” Gómez said.

With “Wonder Woman 1984” around the corner and reviews popping up endorsing (or, uh, not endorsing) director Patty Jenkins’ superhero sequel, this is the time for us to relitigate the original “Wonder Woman.” Or, more specifically, openly discuss what was great and not so great about the smash-hit superhero film from 2017. And judging by comments made by Jenkins about the original film, she totally understands the main issue with “Wonder Woman” and explains why it doesn’t necessarily fit with the rest of the feature.

Patty Jenkins is making sure she gets paid what she deserves.

Wonder Woman 1984 director Patty Jenkins has revealed that she nearly exited the franchise over pay discrepancy.The director helmed 2017’s original Wonder Woman, though it took a while for Jenkins to be confirmed as the DC sequel’s director.She has now revealed that in that time she almost walked away from the movie over pay disparity, recalling to the Happy Sad Confused podcast: “It’s interesting as someone who never made any profit in my career up until Wonder Woman, that I was always at peace with it.

She returned to direct the highly anticipated sequel Wonder Woman 1984 after the first film was rapturously received.But now Patty Jenkins has indicated that she may not return for a third movie in the blockbuster series starring Gal Gadot.During a conversation earlier this week on Josh Horowitz's Happy Sad Confused podcast, the 49-year-old filmmaker admitted she had already written out a story for a proposed Wonder Woman 3, though she might not be the person in the director's chair.

Patty Jenkins is opening up about a possible third film in the Wonder Woman franchise, just as Wonder Woman 1984 is set to premiere next week.

For Gal Gadot, 35, the work of Wonder Woman 1984 (out Dec. 25) started in January 2018 when L.A.-based, Swedish-born trainer Magnus Lygdback was tasked with getting the actress ready to wield the Lasso of Hestia again.

Wonder Woman 1984 is off to a sluggish start in China. The Warner Bros./DC superhero tentpole opened Friday in direct competition with Chinese action flick The Rescue, directed by Dante Lam, and as of 5 p.m.

The $200 million-budget superhero adventure was originally supposed to release earlier this year, but got delayed repeatedly amid the Covid crisis. Finally, the Gal Gadot-starrer will open in India just ahead of Christmas, on December 24."I hope that people come to the film and love it, of course.

2020 was anything but easy, but for HBO Max subscribers and those who live someplace where it's safe to go to the movie theater, it's at least ending with a super-powered holiday gift. will premiere on the streaming service on Christmas Day — Friday, Dec.

Some might look at the decision of releasing “Wonder Woman 1984” in theaters and on HBO Max on the same day as a punch in the gut to theater owners. Who is actually going to pay money to watch ‘WW84’ in theaters when they can get a 4K version in the comfort of their own home for the price of an HBO Max subscription? Well, Patty Jenkins, director of the film, understands this concern.

You know them, you love them…or maybe you hate them? Regardless, it’s common knowledge that you can’t make a superhero film without adding a post-credits tease at the end. And though critics noticed the distinct lack of one at the end of their screeners for “Wonder Woman 1984,” director Patty Jenkins assured fans, in a recent episode of the Reel Blend podcast, that there is most definitely a post-credits scene to her latest superhero blockbuster.

With just over a week until Wonder Woman 1984 debuts in theaters and on HBO Max on Christmas Day, star Gal Gadot revealed some familial cameos.The 35-year-old actress was doing press for the superhero sequel with TV journalist Kevin McCarthyon Tuesday, when it was reveald Gadot's husband, Yaron Varsano, and their kids Alma, 9, and Maya, 2, all have cameos in the sequelThe actress also revealed that her director Patty Jenkins brought in her husband Sam Sheridan and their son for a cameo in the same scene.

Adam B. Vary Senior Entertainment WriterAt first glance, “The Trial of the Chicago 7” and “Wonder Woman 1984” could scarcely be more different.

Warner Bros/DC’s Wonder Woman 1984 begins offshore rollout today in such markets as Indonesia, Portugal and the UK — though on a very limited basis in the latter where London cinemas have been re-shuterred as the capital moves into a Tier 3 Covid lockdown.

Wonder Woman 1984 stat Gal Gadot offered a sneak peek at the film's opening during a virtual premiere event on Tuesday.In the clip for the film - which comes out in international theaters today but will be available in the US via HBO Max on Christmas - Diana, AKA Wonder Woman, looks back at her childhood, recalling some of her greatest adventures.'The magical land of my youth, like a beautiful dream,' Gal says in voice over while a young version of her character rushes through the woods.

Eli Countryman The DC Cinematic Universe seems to have found another success with “Wonder Woman 1984.”Reviews began to flood in on Tuesday, with the majority of the critics favoring the film for its escapist qualities and director Patty Jenkins’ take on the 1980s. The movie, releasing in theaters and on HBO Max on Dec.

Patty Jenkins' stirring 2017 stand-alone feature debut for the popular character who made her first DC Comics appearance in 1941, Wonder Woman, came along at just the right time to shake up the male-dominated superhero screen universe, reinvigorating the genre landscape with amped-up estrogen in her fight for peace, love and equality. The movie, likeBlack Panther the following year, was significant in terms of its step forward in representation; for many of us whose appetite for superhero sagas has its limits, these two films remain high points.