Peter Debruge Chief Film Critic By Peter Debruge It’s been nearly three decades since “In Bruges” writer-director Martin McDonagh decided to try his hand at writing for the theater, knocking out the first drafts of “The Lieutenant of Inishmore” — a dark comedy so violent that the actors find them slipping in all the fake blood on stage — and “The Cripple of Inishmaan,” as well as five other plays, during an unthinkably prolific nine-month span.
He wrote like a man possessed during that time, channeling the words of the raging, salty-mouthed Irish characters he heard in his head.
Once produced, six of those plays propelled McDonagh to international fame — and a decade later, an Oscar-winning filmmaking career.
But he buried one of those first seven scripts, “The Banshees of Inisheer,” which was intended to round out his Aran Islands trilogy (in a 2006 profile for the New Yorker, he insisted that one simply “isn’t any good”).
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