Call it the COVID effect: 2022 has been a year of directors returning to their past and reinterrogating it. Alongside prominent works of autofiction like James Gray’s “Armageddon Time” or Steven Spielberg’s “The Fabelmans,” there’s a less conventional but no less revelatory work that also emerged this year: Mark Pellington’s “Going All the Way: The Director’s Edit.” Note the semantics of the title.
Pellington doesn’t provide a director’s cut here, with him simply making a few tweaks to present a slightly altered version of what audiences first saw.
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