Owen Gleiberman Chief Film Critic On November 16, 1964, when she was 18, Liza Minnelli stepped onto the stage of the London Palladium to join in a concert given by her mother, Judy Garland — the first time the two of them appeared onstage together.
Liza, the year before, had done an Off Broadway musical, but this performance was her entrée into the world spotlight. A famous album was made of the event (“Judy Garland: Live!
at the London Palladium”), and Garland was nothing if not magnanimous in providing the platform to launch Liza’s career. Yet in “Liza: A Truly Terrific Absolutely True Story,” Bruce David Klein’s scintillating documentary portrait of Minnelli, we see black-and-white clips from the Palladium concert, and one aspect of it is startling.
Liza, young as she was, already performs with a pizzazz worthy of her mother. But even as the event was presented as a passing-of-the-torch-song celebration, Garland keeps tapping Liza’s bulky microphone from the bottom so that it practically hits Liza in the face.
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