Over the past year, many of us have become intimately acquainted with a "remote" approach to life and work. For the protagonist of Land, a woman stricken by unfathomable loss, remoteness is not a matter of cyber readjustments but an existential imperative.
She turns away from what's left of her life in the city — specifically, from people and their need for her to get "better" — and exiles herself to a mountaintop cabin, believing that she's prepared for the wilderness.
Land, which marks Robin Wright's first time at the helm of a feature, poses some of life's starkest questions with a simple, elemental force, and with deep wells of compassion.
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