Jessica Kiang Low-budget necessity is often the mother of low-budget invention, but sadly not so much in Travis Stevens’ “Jakob’s Wife,” a thin, half-hearted reworking of the vampire mythos that can’t quite decide if it’s spoofy or serious, and doesn’t have the smarts to be both.
While it’s theoretically promising to attempt a hybrid tone in which schlocky effects and spurting necks are offset by genuine psychological insight into the discontented life of a long-married small-town pastor’s wife, in practice, the impulses just cancel each other out, whittling down the movie’s stakes long before they’re plunged into anyone’s chest.You can see, however, how the project might have attracted its chief draw, who is also ultimately its most.
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