‘How I Learned To Drive’ review: Moving Mary-Louise Parker is back on Broadway
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nypost.comshe’s never coasted.And there is poignancy to Parker and Morse reckoning with Li’l Bit and Uncle Peck after all these years.
Morse, especially, humanizes the man into somebody we, at least, try to understand. One thing that is so remarkable about Parker is her comfort on a Broadway stage.
During the play, she sits at the edge and speaks to the audience so serenely and unwaveringly. Even big stars sometimes get the jitters and dive their hands into their pockets like a little kid hiding under the covers.
Not Parker. Her simultaneous confidence and vulnerability is always worth experiencing, even when the production doesn’t share it..
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