Todd McCarthy Go-her-own-way director Chloé Zhao closes out her exceptional trilogy about the dispossessed and left-behind in the modern American West with Nomadland, a cool, contemplative look at contemporary American outcasts whose foothold in society grows more precarious with every passing year.
Zhao acutely observed the travails, bad luck and diminishing prospects of modern Lakota Indians and an injured young rodeo rider in, respectively, Songs My Brothers Taught Me (2015) and The Rider (2017), both of which premiered at the Cannes Film Festival’s Directors’ Fortnight.
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