Caroline Framke Chief TV Critic“Big Sky” works hard to convince its audience that it’s not like anything else on broadcast network television, or at the very least, not like anything that über-showrunner David E.
Kelley has ever done before. ABC’s (only) new fall drama trades TV’s ubiquitous skylines of Los Angeles and New York City for sweeping Montana vistas, traveling along endless Midwest highways and making pit stops at restless small towns and the creaky bars keeping them afloat.
It follows a sprawling cast of characters living, physically and metaphorically, worlds apart from the glossy socialites that Kelley’s recently favored in “Big Little Lies” and “The Undoing.” And when “Big Sky” does unveil the scope of its pressing mystery,.
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