well-dressed nymphs and mermaids, directed by Matteo Garrone, a Palme d’Or winning auteur, who also wove in vignettes from the Dior ateliers that showed its dedicated, white-coated seamstresses working on the collection – it seemed woefully undernourished, more like an advertisement, or a speed-date with a procession of outfits that will have taken months to conceive.What a missed opportunity.
For the clothes themselves – those interested could peruse an accompanying lookbook of stills – were lovely enough to keep the most exacting Chanel fan in couture for seasons to come.A post shared by CHANEL (@chanelofficial) on Jul 7, 2020 at 3:03am PDTA slim sparkling tweed coat with a flared skirt and a sprinkling of silk roses, a midnight blue silk.
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