Prolific provocateur Onur Tukel, whose The Misogynists was among the first theatrical releases crippled by COVID-19 shutdowns, has a second feature ready just in time for the "we're reopening — oops, never mind" frustrations of July 2020. (Actually, both films appear to have been ready for a couple of years, the unfortunate timing of their releases being merely coincidental.) Where the former film was laser-focused on a certain kind of boorish entitlement that became a lot more visible in 2016, Black Magic for White Boys sprawls out in pleasant if not exactly compelling fashion, raising various real-world social concerns without having a great deal to say about them.
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