‘All The Pretty Little Horses’ Review: Economic Anxiety, Bourgeois Greece-Style
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variety.comJessica Kiang It’s been over a decade since Greece’s government-debt crisis first bit down — perhaps the sharpest national crunch to happen in the immediate aftermath of the 2007-08 global financial meltdown.
And so, in the way of things, it’s been about a decade since class disparity, economic distress and social inequality have surfaced among the primary themes of Greek cinema’s arthouse output.
It makes Michalis Konstantatos’ icily controlled sophomore feature, “All the Pretty Little Horses,” which fits squarely in that tradition, feel both mature and slightly out-of-time: a well-made, deeply embedded report from the exhausted end of the last crisis, while we’re in the teething stages of a whole new one.
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