Judas and the Black Messiah costume designer Charlese Antoinette Jones and Dreamland: The Burning of Black Wall Street director/producer Salima Koroma—two talented ladies who are playing significant roles in shifting the narrative around Black women who are making magic happen from behind the camera in the film and television industry. “My day sometimes starts at like 4:42 in the morning,” Jones said, when asked to describe a typical busy day for her. “If we’re doing an early-morning daylight-dependent shot, I have to be there to get the actors ready and be onset for first light.
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