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‘The Toll’: Film Review
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variety.comA rideshare with a giggly geek driver who may be a serial killer. The staggering-through-the-ink-black-woods-with-nothing-but-a-flashlight look and mood of “The Blair Witch Project.” A mystic schlock demon like Candyman, the Slender Man, or the spectral figures from “The Strangers.” A Victrola in the middle of the road, cranking an ancient warbly ditty à la “The Shining.” A cabin full of snowy TV screens out of the “Poltergeist” showroom.
Memories of suicide, filicide, and a rape where the victim was blamed… Each of these elements, ably handled, might exude a concrete scary resonance.
But what are they all doing in the same horror movie? You could say that Michael Nader, the writer-director of “The Toll,” jams them together in an original
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