As floridly written and meticulously etched as they are, at their core the ornate period works of director Robert Eggers summon an elemental human conundrum: the constant clash between free will and the unexplainable in the construction of one’s fate.
If there are forces beyond our control meddling in our mortal existences, must we surrender or can we fight back? In 2015’s “The Witch,” a young woman gives in to the preternatural entities that haunt her in part to go against a religious microcosm that demands her submissiveness.
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