20th Century Studios’“The King’s Man” peaks somewhere around the middle, during the scene in which the sunken-eyed ghoul Rasputin (portrayed by Rhys Ifans, having a ball) performs some manner of restorative metaphysical cunnilingus by pressing his lips to the unmistakably yonic leg wound that undercover hero Orlando (Ralph Fiennes) sustained back in the Boer War.
The Russian mystic of repute then proceeds to projectile vomit for a brief moment, before revealing that he’s immune to the poison he’s been dosed with, and then engaging our man in balletic hand-to-hand combat set to the music of Tchaikovsky’s 1812 Overture.
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