Peter Debruge Chief Film CriticOf all the locations one could possibly choose to stage modern relationship movies, cramped apartments surely rank as just about the least cinematic option.
But that hasn’t stopped Swiss helmer Ramon Zürcher (“The Strange Little Cat”) from willingly embracing such boxy, where-to-place-the-camera confines yet again for his second feature, “The Girl and the Spider,” or from concocting clever ways to use such spaces to reveal the inner lives of his characters.
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