The Beatles: Last News

Paul McCartney has been confirmed as becoming the first billionaire musician in the UK, with his net worth skyrocketing over the past year.The former Beatles icon was among those named in the 2024 edition of The Sunday Times Rich list, and was revealed to be the UK’s first musician to become a billionaire.In the list, the singer, songwriter and bassist was placed between Vladimir Makhlai and Chris Sheppard and his family, and ranked as the 165 richest person. In the listing, he is said to have a net worth of £1billion – a figure which has grown significantly over the past 12 months.In the past year, The Sunday Times reports, the 81-year-old music icon boosted his wealth by £50million.

Beatles tribute concert led to concertgoers walking out of the venue, according to new reports.The gig took place at the 1,000-year-old Winchester Cathedral, and saw numerous attendees leave the event early due to the “deafening acoustics” at the venue.Hundreds of people were in attendance to see the “ultimate tribute” to the iconic rock veterans, but reports later emerged that the choice of venue led to a “wall of sound” being created, and the songs becoming indistinguishable from one another.According to a report from GB News, tickets to the event were around £40 per person, and numerous attendees claimed they couldn’t tell which song was playing at the Beatles by Candlelight concert.“We had been looking forward to it for weeks, we were really excited. We thought it would be a really nice evening, but no,” one concertgoer told The Telegraph about the experience.

shout — a lot.Ringo Starr, 83, admitted that The Beatles had their issues with one another in a new interview with Dan Rather, 92, for AXS.“No no, we didn’t get along,” the drummer said of the iconic English rock band on May 10. “We were four guys. We had rows.”But Starr said that the drama with the other Beatles — Paul McCartney, George Harrison and John Lennon — “never got in the way of the music no matter how bad the row was.”“Once the count in, we all gave our best,” Starr explained.

Paul Weller has shared he believes that The Beatles split at the “right time.”The Modfather and former frontman of The Jam – who is set to release ‘66′, his 17th solo album and 28th studio LP in total since launching his career back in 1977 – spoke to Mojo, and recalled the impact The Beatles had on him when growing up.“Mum and Dad had old rock ‘n’ roll records by Chuck Berry, Little Richard and Elvis, which I loved, but The Beatles… It isn’t an exaggeration to say they changed the world for many, many people, me included,” he said.He continued: “They made me see other possibilities. They made me think of other things in this life, that there wasn’t just this little town, there was a world beyond the city walls and I wanted to be a part of it, to see and feel and experience.

Ringo Starr has revealed that The Beatles wouldn’t have made as many records had it not been for “workaholic” Paul McCartney.The drummer of the legendary band sat down with journalist Dan Rather for a new interview on AXS TV. Starr opened up about how The Beatles didn’t get along and how without Macca, they wouldn’t have made nearly as many records as they did.“No no, we didn’t get along.

The Beach Boys have discussed their new Disney+ documentary, the support they had from The Beatles, and the health of songwriter Brian Wilson.Interviewed by Mariella Frostrup alongside The Beach Boys’ documentary director Frank Marshall at Abbey Road Studios last night (May 13), the pair revealed that the 81-year-old Wilson – who has recently been placed under conservatorship for what his doctors call a “major neurocognitive disorder” – was still able to perform with the band for the film.“Brian remembered things that I had forgotten from high school at times,” said Love. “His long-term memory is right there.

The Beatles have released a brand new restored video for ‘Let It Be’.The video features clips from the newly released and restored 1970 film Let It Be, directed by Michael Lindsay-Hogg, and uses rarely-seen alternate camera angles of the Fab Four and Billy Preston as they were recording the song.The meticulous restoration was done by Park Road Post Production from the original 16mm negative. According to the video’s description on YouTube, it was “filmed on the day after the January 30 rooftop concert” in 1969.‌The Let It Be film is now streaming on Disney+, marking the first time the documentary has been available in over 50 years.In a four-star review of the film, NME shared: “There may not be a more punk rock bit of film on earth than George being told the police were on the roof to shut them down, and casually turning his amp back on.

The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.

finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the

Paul McCartney has replied to a declaration of love from a Beatles fan named Adrienne – just 61 years after her original message.In 1963, Adrienne was interviewed on CBS ahead of the Fab Four’s first ever visit to the US, where she excitedly proclaimed: “I love The Beatles and I’ll always love them!”“Even when I’m 105 and an old grandmother, I’ll love ‘em. And Paul McCartney, if you are listening, Adrienne from Brooklyn loves you with all her heart!”And now, McCartney has finally got round to reciprocating the love.

John Lennon Estate has partnered with the Lumenate app for a series of meditation mixes, developed from the musician’s 1973 track ‘Mind Games’.Unveiled today (May 1), the project has been developed to help people reach a relaxed, meditative state, and “help guide your mind into deeper states of consciousness”.In the newly transformed mixes, various sound design techniques and processes have been applied to the original 1973 recordings by late Beatles member John Lennon and, in some instances, have been enhanced with additional instrumentation from producer Sean Ono Lennon – who is also the son of Lennon and Yoko Ono.The song was written by Lennon after reading the 1972 book Mind Games: The Guide to Inner Space, by Robert Masters and Jean Houston, which offered brain training exercises to help people take a more positive outlook. The song then came as the title track for the album of the same name and has gone on to become a cult classic.“John was trying to convey the message that we all play mind games.

In partnership with Disney+ UKNME Screens returns next month for a special London showing of Let It Be, the 1970 film that documents the making of their 12th and final studio album of the same name – and has long been out of circulation. Find out how to get free tickets below.Creating exclusive film and TV experiences for NME‘s millions of readers in print, online and social media – NME Screens was launched last year, and has since hosted sold-out screenings of Amy Winehouse biopic Back To Black, saucy tennis thriller Challengers, Wes Anderson’s offbeat sci-fi comedy Asteroid City, acclaimed social satire Saltburn and many more.Our next event is an even hotter ticket – and a must-see for music fans.

David Gilmour has admitted he found The Beatles‘ Get Back documentary a “hard watch”.The Pink Floyd guitarist made the comments in a new print interview with Uncut (via Guitar.com), where he spoke about the Peter Jackson-directed documentary released in 2021. Get Back was constructed from over 60 hours of footage when they recorded their final album, 1970’s ‘Let It Be’.In the interview, he shared that he frequently watches documentaries of bands from the 60s and 70s, including The Beatles.

Ringo Starr has said there is “not a lot of joy” in The Beatles documentary Let It Be, ahead of its imminent re-release. Earlier this month, NME exclusively announced that Disney+ were to release a restored version of the 1970 film on May 8. Directed by Michael Lindsay-Hogg, Let It Be was first released in cinemas 54 years ago and has been difficult to obtain since – prompting considerable bootlegging.

A previously lost 12-string acoustic guitar that belonged to the late John Lennon will go up for sale at an auction in May after it was recently found in the attic of a home in Britain.The auctioneers said Lennon played the guitar, which is expected to exceed its estimate of $600,000 to $800,000, on the Beatles’ 1965 album “Help!”The guitar was lying in an attic and was rediscovered by the current owners during a house move.The founders of US-based Julien’s Auctions said they traveled to Britain to verify the guitar and found the original case – a Maton Australian-made guitar case – in the trash.Martin Nolan, executive director and co-founder of Julien’s Auctions, told Reuters the owners knew they had the instrument at one point, but thought it had been lost.The guitar is believed to have ended up in their hands through British musician Gordon Waller, a member of the 1960s pop duo Peter and Gordon.“Gordon was gifted it from John Lennon, then Gordon gifted it to his road manager, and that’s where the guitar stayed for all these years,” Nolan said.The guitar will be auctioned on May 29 at the Hard Rock Cafe in New York and on the auctioneer’s website.Earlier this year, a stolen Hofner bass guitar belonging to Paul McCartney was found and returned to Lennon’s fellow Beatle after 51 years following a global hunt.Musical instruments belonging to prominent members of the Beatles have fetched a high price at previous auction.In 2015, a guitar stolen from Lennon in the 1960s sold for $2.41 million at an auction in California.

John Lennon and George Harrison, which appeared in the movie Help!, is headed to auction after being lost for 50 years.The model is a 12-string Hootenanny acoustic guitar, made in the early ’60s by Bavarian manufacturer Framus. It famously appeared in the Beatles movie Help!, as Lennon used it to perform a rendition of ‘You’ve Got To Hide Your Love Away’.It also features on the studio version of the song, and in ‘Help!’s title track, ‘It’s Only Love’ and ‘I’ve Just Seen A Face’.

Paul McCartney & Wings are set to release their 1974 live studio album ‘One Hand Clapping’ for the first time.The album was recorded back in August 1974, while the band were enjoying their seventh week in a row at the top of the UK album charts with ‘Band On The Run’. It was recorded when McCartney and Wings headed to Abbey Road Studios for the recording of a documentary and possible live studio album – ‘One Hand Clapping’.Filmed across four days and directed by David Litchfield, the album was never officially released despite overwhelming demand, although various bootleg versions emerged over the years.Set to arrive on June 14, the upcoming version of the LP marks the first time in 50 years that it has received an official release.“’One Hand Clapping’ showcased Wings‘ new line-up, fresh off their return from Nashville where they recorded the classic single ‘Junior’s Farm’,” read a press release.

All You Need Is Love: The Beatles in Their Own Words” (St. Martin’s Press), an illuminating page turner from former band aide Peter Brown and best-selling author Steven Gaines.The extensive oral history is made up of candid interviews with Gaines, captured in 1980-1981; a scheduled sit-down with Lennon never happened before his Dec.

Ringo Starr shows no signs of slowing down anytime soon.In addition to releasing the four-song EP “Crooked Boy” on April 20, the former Beatle just announced a fall 2024 North American tour with his All Starr Band which includes Edgar Winter, Colin Hay from Men At Work and Toto singer Steve Lukather among others.The eight-show jaunt wraps at New York City’s Radio City Music Hall on Wednesday, Sept. 25.Prior to the tour, Starr and co.

Despite his already epic, nearly eight-hour docuseries, “The Beatles: Get Back,” getting released in 2021 (read our review), filmmaker Peter Jackson’s obsession with the Beatles is not quite over. The filmmaker has restored “Let It Be,” director Michael Lindsay-Hogg’s original 1970 film about The Beatles, and Disney+ will release the movie on May 8, 2024, the first time the film has been readily available in 50 years.

The Beatles released their debut single in the UK, 1962’s “Love Me Do,” as the first of many classic songs written by John Lennon and Paul McCartney, their offspring have come together to bring back their tune-making magic.“Primrose Hill,” the new single by James McCartney — Sir Paul’s only son, with his late wife Linda — was co-written by Sean Ono Lennon, John’s youngest son from his marriage to Yoko Ono.And the next generation does their papas proud on this wistful beauty of a ballad that recalls some of the nostalgic reverie of “Now and Then” — which was released to much fanfare in November as the last Beatles song (and their first new tune since 1996).Released on Friday, “Primrose Hill” — which is a public park north of Regent’s Park in London — is the first-ever collaboration between McCartney, 46, and Lennon, 48.And if any song could sound just like taking a bittersweet stroll in the park with nothing but your longing memories, then this one pretty much captures it.There’s instantly something familiar about it — both the dreamy moodiness and McCartney’s lilting delivery — but it never seems to fall into Beatles mimicry.Nor does it ever reach the reach the heights of Beatles transcendence — I mean, how could it?The lyrics almost border on lovesick cliche at one point: “Forever’s not long enough to be loving you/Forever and a day/I look into your eyes, it’s such a great surprise/You take my breath away.”But if you just lose yourself in the warm, woozy feeling, you’ll get over that.And the bluesy guitar that comes in at the end adds a nice bite to the bliss.“ ‘Primrose Hill’ is here!” McCartney wrote in a post on Instagram, alongside a photo of him and Lennon.