Column: Last News

Owen Gleiberman Chief Film CriticReading the reviews of Baz Luhrmann’s “Elvis,” one would be forgiven for thinking that it must be some madly baroque spectacle of exquisite excess, the sort of thing that makes people roll their eyes — or that makes the eyes of others widen with delight — when they hear the name “Baz Luhrmann.”In The Hollywood Reporter, David Rooney writes, “How you feel about Baz Luhrmann’s ‘Elvis’ will depend largely on how you feel about Baz Lurhmann’s brash, glitter-bomb maximalism.” In Rolling Stone, K. Austin Collins calls the film “a brash, overwhelming experience.

Editor’s Note: French filmmaker and screenwriter Audrey Diwan is the director of Venice Golden Lion-winning abortion drama Happening (L’Evénément). Adapted from celebrated French writer Annie Ernaux’s autobiographical novel of the same name, it follows the emotionally harrowing and physically perilous battle of a brilliant literature student to obtain an abortion in 1963, some 12 years before it was made legal in France. The film’s unexpectedly timely U.S. release by IFC Films in May coincided with news via a leaked document that the Supreme Court was on the verge of overturning the landmark 1973 Roe v. Wade ruling that recognized women’s constitutional right to abortion in the US. This came to pass on Friday (June 24). As abortion clinics begin closing in some U.S. states, Diwan has penned a column for us on a decision that has sent shockwaves across the world. 

Ben Foster Boots stormed into the living room, dust falling though the floorboards onto the Tzigel family. Jews were being exterminated, and my family was hiding in the basement of a sympathetic neighbor. They couldn’t stay long.

Hello and welcome to the June edition of my monthly mortgage tips column.

Daniel D'Addario Chief TV CriticWhen “The Umbrella Academy” last aired new episodes, in July 2020, its star occupied a different place in the culture, under a different name.Elliot Page, the Academy Award-nominated performer, is by far the highest-profile member of the show’s cast — all playing a family of superheroes perennially trying to thwart apocalypse. And his public disclosure that he is a trans man in late 2020 presented the series with a conundrum as it looked ahead to a third season.

Elizabeth Wagmeister Senior CorrespondentWendy Williams was unlike anyone else on TV. On daytime, you’re supposed to be authentic, but you’re also taught to be polished, read the teleprompter and stay on script.Williams did none of those things. In fact, the talk show host did the exact opposite of what you’d expect a television executive to advise a host to do in 2008, the year her show was being tested for a national run.

Tiffany Red Tiffany Red is a Grammy-winning songwriter and songwriter advocate who has written hits for Jennifer Hudson, Fantasia, Jason Derulo and Zendaya, among others. She is founder and executive director of the 100 Percenters, a 501 c3 organization with the stated goal of advocating “for all music creatives with a focus on BIPOC (Black, Indigenous, People of Color) and marginalized creatives.” She has spoken at length about the challenges faced by songwriters; this is her second Juneteenth essay for Variety.I think we can all agree that black culture drives pop culture.

Helen Skelton was married to rugby star Richie Myler, 32, for eight years, but she let loose about the frustrations of having a relationship with a famous sports star in an unearthed and very candid blog post.

Editor’s Note: On June 22, 2020, veteran editor and Sunwise Media co-founder Ri-Karlo Handy penned a guest column for Deadline on the wide ranging response to his social media call for Black union editors just days beforehand. As Americans took to the streets after the killings of Breonna Taylor and George Floyd to demand an end to institutional violence and racism in numbers unprecedented for decades, Handy turned part of the spotlight on Hollywood. The reaction to his outcry was almost immediate. It was also encouraging from unions, to schools, to studios and every other crevice of Tinseltown. Today, Handy examines what a difference the past two years have made, and what more there is to do as political and cultural sands appear to be shifting again.

Mike Montgomery A piece of legislation known as the Free Artists from Industry Restrictions (FAIR) Act has long divided the music industry in California, with powerful forces on both sides taking positions. If enacted, FAIR would undo a 35-year-old amendment to the state’s historic “seven-year statute” and effectively remove the power of record labels to sue artists for damages if they exit their contracts after seven years without having turned in the number of albums specified in their contracts.

Caroline Framke Chief TV CriticAs the final minutes of “Hacks” Season 2 ticked by, it was hard to shake the feeling that they just might mark the final minutes of “Hacks,” period. With Deborah (the incomparable Jean Smart) finally tapping in to a more personal and rewarding vein of her comedy to huge success, before pushing Ava (the underrated Hannah Einbinder) out of the nest to forge her own path in Hollywood, the series easily could’ve ended there. Even Deborah’s CEO Marcus (Carl Clemons-Hopkins) and agent Jimmy (Paul W.

Australia’s Sydney Morning Herald over the weekend faced criticism for its reporting on the revelation of actress Rebel Wilson’s new romantic relationship. Although the paper’s editor initially defended the outlet’s actions, the offending column has since been removed and its writer has apologized.

he wrote, but he could now see why it was seen as one. Monday’s apology column followed a public backlash to the SMH over its approach to the story. The head of LGBTIQ+ Health Australia said Wilson was put in “an appalling situation” when the Herald contacted her about her new relationship.

Nabil Ayers My life has always revolved around music. My mother is a dancer who played Seals & Crofts and Stevie Wonder records loudly in our apartment as far back as I can remember. My uncle, the jazz saxophonist Alan Braufman, bought me a drum set when I was two-and-a-half years old.

Daniel D'Addario Chief TV CriticSPOILER ALERT: Do not read if you have not yet watched Season 4 of “Stranger Things,” now streaming on Netflix.“Stranger Things” isn’t just Netflix’s crown jewel — it’s a document from an era when the streamer’s ambitions looked a lot different. And its creators know it.The series, like the recently concluded “Ozark” and like “The Crown,” which has two seasons remaining in its reign, is made with care and with no small expense.

Geeta Malik In “A Tree Grows in Brooklyn,” Francie Nolan sat on her fire escape, ate peppermint wafers, spied on her neighbors, and read books. In Aurora, I sat on my roof, ate pretzels, spied on my neighbors, and read “A Tree Grows in Brooklyn.” I felt seen by Francie Nolan and it surprised me when people were surprised by the fact that I related to her. At a certain point, I understood that people assumed I’d have more in common with the slum kids in “City of Joy” than Francie.

Chris Willman Senior Music Writer and Chief Music CriticFor the last 25 years, almost, the group Wilco has been running away from any sort of descriptive tag that has “country” in it, as a suffix or anything else, after Jeff Tweedy’s previous band, Uncle Tupelo, helped kick off the wave of alt-country that continues to be a fixture of modern American music as we know it. Of course, no matter how far they strayed, if you had ears to hear, the influence never really went away.

Steven Gaydos Executive VP of ContentNearly a half-century has passed since Elvis left the building, permanently. Australian auteur Baz Luhrmann has just unleashed “Elvis,” his big, bold, nearly three-hour biopic, at Cannes and that Warner Bros. bet appears to have paid off.

Chris Willman Senior Music Writer and Chief Music CriticOlivia Rodrigo probably isn’t begging to be compared to Paul McCartney. No one would wish that on a superstar — we can call her that now, right? — who just turned 19 years three months ago.

Daniel D'Addario Chief TV CriticNear the beginning of the final episode of Ellen DeGeneres’ talk show, the host found herself sadly, solemnly dancing.Wiping away tears, DeGeneres stomped up the steps of her stage’s audience section, embracing members of the crowd wearily, mouthing the lyrics “you’ve got the best of my love” — even as it seemed evident from her demeanor that her guests had what was left of it. This was an admirable concession to routine from a host who has made her name through nimble footwork: Redefining herself as a broadcast-ready daytime host after the 1990s sitcom “Ellen” was cancelled shortly after her public coming-out, DeGeneres embraced cute rubber-soled jiving as a way to express her desire to seem relatable.

Leo Chu I remember when I became the showrunner of my first live-action series, “Supah Ninjas,” I thought I had arrived.Somehow, against all odds, this show I created with my partner Eric S. Garcia was shooting on the Paramount lot. On the same stage as “Family Ties.” I was officially a part of Hollywood history.