broadway: Last News

New York, New York,” opening Wednesday at the St. James Theatre, ends with the iconic title number that kicks off with the lyric “Start spreadin’ the news!”It’s an ear-worm everybody knows.

Good Night, Oscar,” there is no doubt. Whether the end result is a human being or a bag of tricks depends on your taste for ham.One hour and 40 minutes with no intermission.

Prima Facie,” which opened Sunday night on Broadway, the audience is hit by two wildly different sensations.First, as we become fully absorbed by the harrowing story of Tessa, a brilliant young barrister whose life is horribly upended, there is great pain and sadness in watching her go through a trauma nobody should ever have to experience. Some viewers will be understandably overwhelmed by it all.One hour and 40 minutes with no intermission.

good news for you.Eight times a week, the curtain goes up on “The Lion King” at the Minskoff Theatre on Broadway and each show is more magical than the last.Better yet, since the show has been running since 1997, tickets are fairly affordable by Broadway standards to the Great White Way staple.At the time of publication, we found some seats going for as low as $120 before fees on Vivid Seats.Not a bad price to see a six-time Tony Award winner (!) in person.Can’t wait to hear “I Just Can’t Wait To Be King?”Here’s everything you need to know and more about how to see “The Lion King” live as soon as today.All prices listed above are subject to fluctuation.Like any well-oiled Broadway machine, “The Lion King” can be seen eight times a week.As expected, matinees fall on Wednesdays, Saturdays and Sundays.There are no Monday shows either.Want to find the right show at the right time for you?Check out a complete calendar including all dates, start times and links to buy tickets here.“The Lion King” has a run time of two hours and 30 minutes with one intermission.Who plays Simba these days? What have I seen Scar in before?Great questions.To ease any confusion, here are the five main actors, what part they play and where you may have seen them in TV or film over the years.Brandon A. McCall (Simba): This is McCall’s Broadway debut; he is an Alabama State University alum.L. Steven Taylor (Mufasa): You may recognize Taylor from PBS’ “The Electric Company” or the HBO pilot “Last Of The Ninth.”Michael Hollick (Scar): Hollick has appeared in “Law & Order,” “Sex and the City,” “Guiding Light,” and “Hawaii Five-O” among many other credits.Ben Jeffrey (Pumbaa): Jeffrey has had roles in “The Good Wife” and “Louie.” This is his Broadway

Chicago, Wicked, Phantom of the Opera).It’s a bit premature to group Broadway’s newest musical comedy into any of these three categories, but it’s safe to say that it is harvesting a bonafide crowd-pleaser with Shucked (★★★★★).It’s not often that the Nashville and New York crowds intertwine with one another, particularly on creative projects. This exception, however, is a winning combination.Southern-bred and out country singer-songwriters Brandy Clark and Shane McAnally have joined forces with Northeast-based stage and screenwriter Robert Horn to create one of the funniest shows Broadway has seen in quite some time.Clark, an 11-time Grammy nominee and Country Music Award winner has written songs for Brandi Carlile, Alicia Keys, and Kacey Musgraves.

Apple TV+ musical comedy series “Schmigadoon!” because a producer told her she was “too old.”“I wanted to be in ‘Schmigadoon!’ – and I was too old,” LuPone, 73, explained to Mashable in a new interview.When the interviewer probed for more details, she replied, “Exactly what I said. We reached out to them and said I want to be in ‘Schmigadoon!’ They said, ‘Sorry. You’re too old.’ “The Post reached out to reps for the show’s co-creators, Cinco Paul and Ken Daurio, as well as LuPone for further comment.LuPone’s still holding her head high despite the alleged rejection.

Peter Pan Goes Wrong,” the happily hyperactive comedy that opened Wednesday night on Broadway, provides: missteps, mayhem, incapacitations, faulty sets and, in a roundabout way, “Fawlty Towers.”The very funny British play’s premise is the season’s simplest. The amateur Cornley Polytechnic Drama Society tries to put on “Peter and Wendy” and fails epically. 2 hours and five minutes, with one intermission. At the Ethel Barrymore Theatre, 243 W.

said The Post; “Bring earplugs … Bring eye plugs,” echoed the Times. On March 25, the day after it opened, a source claimed the show did a paltry $80,000 in ticket sales. Another said the number was “significantly higher,” but box-office business has demonstrably not been brisk.For a more than $20 million musical, $750,000 would have been an ideal take after the enhanced visibility from reviews.

Andrew Lloyd Webber on Sunday, as the curtain came down one final time for Broadway's .After a 35-year run and almost 14,000 shows, Broadway's longest-running show had its final performance at the Majestic Theatre. The show also marked Webber's first appearance since the death of his 43-year-old son, Nicholas, who died in March following a battle with cancer.Composer Andrew Lloyd Webber dedicates the final «Phantom of the Opera» Broadway performance to his son, Nick, who passed away last month.

“Phantom” would finally end its storied run, ticket sales exploded. During the final two months, the musical has returned to being the highest-grossing production on Broadway, not to mention the hottest ticket in town — despite being more than three decades old.

“Phantom of the Opera” – Broadway’s longest-running show. “I grew up on his plays and the performances from ‘Phantom of the Opera.’ One of the longest-running performances is closing, but it gave us many years of just joy throughout the years,” gushed Adams outside the Majestic Theater on West 44th Street.“Phantom” will close this Sunday, April 16 after a 35-year-long run on Broadway. The show first appeared in London’s West End in 1986 before coming to New York in 1988.“But you have brought us so much joy, so much happiness.

“Hamilton” opened on Broadway in 2015 and for the past eight years has consistently been the hottest ticket on the Great White Way.Way back when the 11-time Tony Award-winning musical first premiered at the Richard Rodgers Theatre, critics and fans alike were dazzled by the original hip-hop reimagining of Secretary of State Alexander Hamilton’s life.By 2017, some seats were going for as high as $42.5K for a pair of tickets according to Financial Planner LA.That’s more than the average starting price for a minivan in 2023.However, as the years have gone by, prices have become much more reasonable to see Broadway’s buzziest, most talked about production.In fact, at the time of publication, some tickets are only $117 before fees on Vivid Seats.For those keeping score at home, that’s 0.002% of $42,500.Fans that want to get up close and personal with Hamilton, Burr, Washington, Lafayette and King George may have to shell out a bit more – but not much.Ticket prices for lower-level orchestra seats can be procured for around $180 before fees depending on the show.Not in New York City in the “room where it happens?”Not a problem.You can still get your “shot” to see the show in person.“Hamilton” is on tour in cities like Toronto, Virginia and Minneapolis.All prices listed above are subject to fluctuation.“Hamilton” abides by the standard eight-show a week schedule.That means matinees on Wednesday, Saturday and Sunday.As expected, the lights go dark on Mondays at the Richard Rodgers Theatre.If you want a closer look, “Hamilton’s” complete calendar including show dates, start times and links to buy tickets can be found here.The show runs 2 hours 45 minutes including an intermission.Although powerhouse names Lin-Manuel, Daveed Diggs,

score a free ticket on Vivid Seats.For fans that buy ten tickets to concerts, shows, readings, games, matches, monster truck jams, really anything at all on Vivid Seats — the eleventh is free.Well, mostly free.Vivid Seats gives out “stamps” toward Rewards Credits.If you “collect” ten stamps, which are equal in value to the price of the ticket you’ve purchased, you get one on the house.There are a few rules though.To be clear, once you’ve hit the ten-stamp threshold, you aren’t automatically “gifted” a ticket.

that is the question.Running time: 1 hour and 45 minutes with no intermission.  At the American Airlines Theatre, 227 W. 42nd Street.Playwright James Ijames’ “Fat Ham,” which opened Wednesday night on Broadway, thinks so.

“Shucked” is the best new musical of the Broadway season so far. The Southern comfort show, with a tuneful country score by Brandy Clark and Shane McAnally and a superb book by Robert Horn, is just so damn funny. If any of the outrageous yokel characters open their mouths to do anything but sing, 99% of the time they will deliver a winning joke or pun. The receptive audience sits in a state of perpetual giggle, with heads bobbing up and down like buoys. An example of the sense of humor: A scamp named Peanut (Kevin Cahoon, brilliant) is a walking Poor Richard’s Almanac who colorfully announces his unhinged, universal truths as we howl back.

the new spectacle show “Life of Pi” seaworthy: stunning projections, and a better-than-necessary lead performance from the sensational Hiran Abeysekera.2 hours and 15 minutes, with one intermission. At the Gerald Schoenfeld Theatre, 236 W 45th Street.Working in tandem during the second act, when teenage Pi is adrift in the ocean with only dangerous zoo animals to keep him company, those fantastical images and Abeysekera’s boisterous energy create moment after moment of theatrical magic. They are sequences of pure action and ingenuity in director Max Webster’s production that do not rely on dialogue or plot to thrill us, only sheer emotion and awe.

Stephen Sondheim’s horror-musical in which throats are gruesomely slashed and cannibalism is positively hilarious. 2 hours and 45 minutes with one intermission. At the Lunt-Fontanne Theatre, 205 W.

was taken to the hospital due to a “scary health issue.”In a video posted to her Instagram story on Saturday, the 36-year-old announced that she’s back starring as Fanny Brice in “Funny Girl” on Broadway, and shared an update on her son. “It’s been a really long week, and we’re still not out of the woods completely with our son,” she said in the video.

Andrew Lloyd Webber’s “Bad Cinderella,” which opened Thursday night on Broadway, doesn’t have much in the way of ‘tude and swagger onstage. Or brain cells.2 and a half hours with one intermission. At the Imperial Theatre, 249 West 45th Street.It’s a mess with multiple personality disorder.

Patti LuPone, 73, has nine huge shows remaining on her ongoing ‘Don’t Monkey With Broadway Tour’ all over the U.S.That includes two stops in the Garden State followed by a pair in New York.First, the three-time Tony winner will belt standards by Richard Rodgers, Stephen Sondheim, Leonard Bernstein, Cole Porter, Irving Berlin and more at Englewood, NJ’s Bergen Performing Arts Center on Thursday, March 23.Then, on March 25, she’ll perform at New Brunswick’s State Theatre.Come summer time, the tour will drop into Poughkeepsie’s Bardavon Opera House on June 17.For those willing to wait over a year, you can see the show in Manhattan — ‘Don’t Monkey With Broadway’ is scheduled for a night at Carnegie Hall on April 8, 2024. And the best news of all is you won’t have to pay Broadway-like prices to see LuPone live on the road.At the time of publication, we found some seats going for as low as $58 before fees on Vivid Seats.So, if you want to see LuPone deliver what Front Row Reviewers called “autobiographical snippets (and) powerful song(s)” live, here’s everything you need to know.A complete calendar including all tour dates, venues and links to the cheapest tickets available for all remaining concerts can be found below.(Note: The New York Post confirmed all above prices at the publication time.

an unfurnished “Doll’s House” starring Oscar winner Jessica Chastain (top ticket $299), which features only a few chairs positioned on a turntable that’s lit like a hospital broom closet. The no-frills revival of the musical “Parade” (top ticket $297), which began as a City Center Encores concert, has just a raised platform surrounded by lamps and more chairs. The return of the Bob Fosse revue “Dancin’” (top ticket $297) has a projection screen and a few metal towers — appropriate for jazz hands, but flimsy all the same.“Into the Woods,” another City Center concert that has since closed at the St. James Theater and gone on tour, had some wooden steps and simple birch tree trunks, because the main event was its sizable 15-person orchestra and stars such as Sara Bareilles and Patina Miller.Meanwhile, “& Juliet” (top ticket $323), a jukebox musical comedy from London featuring Britney Spears and Backstreet Boys songs, is glitzier than the above, goes to multiple locales and features garish lighting, but is still designed to look like a bricky rehearsal space.Everywhere you look, there’s nothing.That’s not to say these shows are all bad.