A24: Last News

Colman Domingo, “Sing Sing” is set at the eponymous maximum security prison and is based on the real-life Rehabilitation Through the Arts (RTA) program where incarcerated people are given the opportunity to write and stage theatrical productions in prison through RTA. Domingo plays John “Divine G” Whitfield, who has a story credit on the film, and he’s joined by formerly incarcerated men who themselves are alumni of the RTA program, including Clarence “Divine Eye” Maclin and Jon-Adrian “JJ” Velazquez.

Grant’s mysterious character trapping two young Mormon missionaries (Sophie Thatcher and Chloe East) in his home for a series of dangerous tests of faith.Woods added that generative AI is “an algorithm jumbling a bunch of s— together and then spitting it out as art. It’s not human, and it’s borderline theft on some level.“I think this idea that an algorithm can just scrape all of human history and art off the internet, repackage it, regurgitate it, spit it out and somebody else can use that to create profit … I don’t know why that’s legal.“It’s important for people to start talking about the need for human intersection in art, business and every facet of this life, because we’re on the precipice of every job on planet Earth being replaced overnight.

The 24th Hour: Is This the End?James Patterson and Maxine Paetro (Little, Brown and Company)The latest “Women’s Murder Club” installment finds San Francisco police sergeant Lindsay Boxer and Co. investigating the death of a prominent billionaire couple.

remained the top film in theaters in its second week of release, according to studio estimates Sunday.The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in $11.1 million in ticket sales at 3,929 theaters over the weekend.The $50 million film, set in a near-future US in which Texas and California have joined in rebellion against a fascist president, has grossed $44.9 million in two weeks.Its provocative premise – and A24’s marketing, which included images of US cities ravaged by war – helped keep “Civil War” top of mind for moviegoers.But it was a painfully slow weekend in theaters – the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office.Year-to-date ticket sales are down almost 20% compared to last year, according to Comscore.Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales.It came in second with $10.2 million in 3,384 theaters.That was still a fair result for a film that cost a modest $28 million to make.

Fresh off its SXSW world premiere, Alex Garland‘s “Civil War” hits theaters today, the latest film in an impressive filmography. So impressive, in fact, with films like “Ex Machina” and “Annihilation” among it, that one may ascertain to call Garland an auteur.

Less than 20 minutes into Julio Torres’s surrealist comedy, Problemista, wild-eyed art critic Elizabeth (Tilda Swinton) is trying to find a photo of her begonias. Frantically searching through her iPad to show her new assistant Alejandro (Torres) her garden in Maine, the atmosphere grows increasingly tense, as her mounting frustration turns into a series of violent jabs against the display.

Is it time to officially anoint Nicole Kidman as the queen of prestige television officially? Because she’s exactly that, and kudos to her and her agents for reading the tea leaves on the shifting industry ages ago. After helping usher in the new era of prestige peak TV with “Big Little Lies,” and following that up with a lot of acclaimed TV work— “Top Of The Lake” for Jane Campion, HBO’s “The Undoing,” “Nine Perfect Strangers” for Hulu, Apple TV+’s “Roar,” “Special Ops: Lioness” for Paramount+, and currently on Prime Video, the series, “Expats” from director Lulu Wang— Kidman has yet another hot TV package in the works that sounds like it’ll be at the top of the most anticipated TV series of 2025.

It’s not a career revival until you star in an A24 film helmed by a buzzy director decades your junior. That seems to be the new rule in Hollywood these days.Just ask Adam Sandler, who revitalized his career with a sweaty, unforgettable performance in the Safdie brothers’ Uncut Gems, or Nathan Lane, who’s become a self-described “poster boy for A24” following recent roles in Dicks: The Musical and Beau Is Afraid.Enter Nicolas Cage, whose once-flailing career has enjoyed a rebirth ever since his muted, mournful performance in the 2021 indie sleeper hit Pig.

Walter Isaacson’s biography on the world’s richest person, according to the source, who added the Musk biopic will be produced by Aronofsky’s production company, Protozoa Pictures.“Glad Darren is doing it.

Dicks: The Musical. With a name like that, how could a film not deliver a ridiculous viewing experience? This new movie, which just arrived in theaters, is a wild and wacky take on the classic story of family reconciliation.

“Dicks: The Musical” has an extremely useful title. Your gut reaction to those three short words will help you decide whether you can stomach this loony A24 movie, which had its world premiere Thursday at the Toronto International Film Festival — or if it’ll make you retch.Trust your instincts, because the film itself, directed by Larry Charles (“Borat”), won’t change your mind. You go in either loving this sort of thing — or loathing it.This creature from the wacko lagoon has ample obscenities, constant profanity, razzmatazz songs and dances.

last year’s “Bodies, Bodies, Bodies” and Edebiri’s levelheaded deliveries make the most insane ideas sound totally logical and reasonable. The two make perfect foils.

Moviegoers already knew that Todd Haynes‘ “May December” would open the 61st annual New York Film Festival this Fall. But now another North American premiere will happen in NYC.  Sofia Coppola‘s “Priscilla” will be the festival’s Centerpiece on October 6 before it hits theaters later that month courtesy of A24.

South Korean auteur Park Chan-wook returned to theaters last year with “Decision To Leave.” And by all accounts, it’s another masterwork from him, and one of the best films of 2022. Now Park returns to TV for the first time since 2018’s “The Little Drummer Girl” with “The Sympathizer,” set for an exclusive release on Max in 2024.

I talked about this in my write-up for “Peter Pan & Wendy,” the upcoming live-action remake from Disney, but David Lowery is the King of the “one for them, one for me” creative model. Almost like clockwork, the filmmaker will follow up an indie film with a big-budget film before coming back to another indie drama.

The centerpiece of Claire Denis’ “Stars at Noon” plays out in a stilled, near-empty nightclub suffused with violet light, where two strangers in a strange land share a moment of swooning intimacy. We glimpse Trish (Margaret Qualley) first adrift in the dark before two hands, belonging to the Englishman (Joe Alwyn) she’s become entangled with, materialize at her waist.

If one actor plays multiple roles in a film, that film is usually a comedy, as the technique is often viewed as an excuse for someone to show off their “wacky” versatility. That technique, however, and the presumption of how it’s applied is radically turned on its head in writer/director Alex Garland’s new surreal and discomfiting horror film, “Men,” from A24.

won’t know Pete Davidson’s true intentions in the upcoming Gen Z horror-comedy film “Bodies Bodies Bodies” until Aug.