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18.11.2023 / 21:05

Wes Anderson on How ‘Asteroid City’ Star Jason Schwartzman Helped Inspire His Latest Film

Todd Gilchrist editor Wes Anderson’s “Asteroid City” is a nesting doll of a film—a television broadcast of a documentary about a play, assembled with the same precision and detail as Anderson’s “The Royal Tenenbaums,” “The Grand Budapest Hotel” and “The French Dispatch” among others. Thematically, the connective tissue between its layers of reality, like many of those earlier films, is the notion and processing of loss.

Scarlett Johansson Steve Carell Margot Robbie Edward Norton Jeffrey Wright Tilda Swinton Adrien Brody Wes Anderson Star Jason Todd Gilchrist France USA city Budapest county Bryan city Cranston, county Bryan city Asteroid film performer stars actor photography Love

17.11.2023 / 21:35

Screenwriters Behind ‘BlackBerry,’ ‘Flamin Hot’ Share How They Turned Brands Into Stories: ‘We Never Saw Our Movie as a Product Movie’

Todd Gilchrist editor Intellectual property — the books, films, characters and properties that get butts into seats — has long been a cornerstone of Hollywood moviemaking. But many of this year’s films have drawn from less likely, though perhaps inevitable, sources of inspiration: products and brands.

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17.11.2023 / 17:05

‘Sleepless in Seattle,’ ‘Punch-Drunk Love’ 4K Reissues Anchor Sony Pictures Home Entertainment’s Columbia Classics Vol. 4 Box Set

Todd Gilchrist editor “Sleepless in Seattle,” “Punch-Drunk Love” and four more films from Columbia Pictures will make their 4K Ultra HD debut Feb. 13, 2024, via Sony Pictures Home Entertainment. Columbia Classics 4K Ultra HD Collection Vol.

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23.10.2023 / 16:17

‘A Haunting in Venice’ to Get Digital Release on Halloween

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. “A Haunting in Venice” is getting a digital release just in time for Halloween. Kenneth Branagh‘s third Agatha Christie adaptation, which hit theaters in September, will debut on digital retailers and Hulu on Oct.

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20.10.2023 / 17:35

Composer Claudio Simonetti Breaks Down His Scores For ‘Suspiria,’ ‘Deep Red’ and ‘Dawn of the Dead’ Ahead of Nationwide ‘Demons’ Tour

Todd Gilchrist editor For horror fans, Claudio Simonetti is a household name. First a founding member of rock group Goblin, whose work is synonymous with filmmaker Dario Argento’s genre standard-bearers “Deep Red” and “Suspiria,” a producer and pop artist in his native Italy, and later a lead composer on Argento’s “Tenebre,” Lamberto Bava’s “Demons” and more, Simonetti and his collaborators turned iconoclastic takes on scoring — utilizing the sounds of prog rock and disco — into iconic pieces of film music.

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13.10.2023 / 17:43

Offset Plots a Powerful New Course, Post-Migos, With ‘Set It Off’: Album Review

Todd Gilchrist editor It’s been a long, hard road to Offset’s third solo album. Originally scheduled for release in November 2022 before the shooting death of fellow Migos member Takeoff, “Set It Off” shows major artistic growth for the Atlanta rapper and sets a new course for him as a solo artist — and features top-level collaborations from Travis Scott, Future, Don Tolliver, Latto, his wife Cardi B and more, and production from hitmakers like Metro Boomin, Boi-1da and Vinylz.

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04.10.2023 / 23:27

‘Caligula: The Ultimate Cut’ Review: The Taming of a Screwed Production, Minus the Penthouse Taint

Todd Gilchrist editor In “Caligula: The Ultimate Cut,” absolute power corrupts absolutely, but even using absolutely all of the footage shot for the notorious production back in 1976 does not necessarily result in a better film. The most expensive independent film ever produced until that time, “Caligula” was conceived by late Penthouse founder Bob Guccione as a sexually explicit film that also featured real actors and high production values; hiring bestselling author Gore Vidal to write a script for Italian avant-garde director Tinto Brass (“Salon Kitty”), Guccione subsequently attracted such respected thespians as Malcolm McDowell, Peter O’Toole, John Gielgud and Helen Mirren to star.

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29.09.2023 / 20:29

How Gareth Edwards’ Sci-Fi Opus ‘The Creator’ Achieved Blockbuster Scale at a Fraction of the Cost

Todd Gilchrist editor As costs spiral upward for production infrastructure, visual effects and good old fashioned star wattage, blockbuster budgets tend to be one of the closely guarded secrets in Hollywood. Yet in the weeks and months leading to the release of “The Creator,” due Sept.

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28.09.2023 / 09:33

James Cameron Surprises Beyond Fest With 4K Premiere of ‘The Abyss,’ Recalls Nearly Dying During Filming: ‘It Was Almost Check-Out Point’

Todd Gilchrist editor James Cameron appeared Wednesday at Los Angeles genre festival Beyond Fest for a Q&A about “The Abyss” after a screening of the film’s seldom-seen two-hour and 51-minute Special Edition. Unbeknownst to attendees (but later confirmed by festival programmers), the DCP presentation turned out to be the 4K transfer Cameron announced last year, physical and streaming versions of which he said were “out of his hands” but all work has long been completed.

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22.09.2023 / 14:55

Kylie Minogue’s ‘Tension’ Keeps Her Drumbeat Going ‘Padam Padam’ With 11 Slabs of Pop Perfection: Album Review

Todd Gilchrist editor As the platonic ideal of a pop star aging gracefully in her career, Kylie Minogue knows what kind of artist she is and for 35 years has stuck to that identity — and better than that, embraced it. “Tension” is her sixteenth album, and it’s not only as good as the ones she released 10 or 20 or more years ago, it’s just like them: full of shiny, irresistible, easily digestible songs whose sole purpose is to make listeners fall in love and dance, if not always in that order.

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09.09.2023 / 23:31

‘A Haunting In Venice’ Review: Kenneth Branagh Brings a Supernatural Dimension to His Hercule Poirot Series

Todd Gilchrist editor An adult-oriented crowd pleaser of the sort that seldom gets made any longer without superheroes being involved, and better than that, is quite entertaining, “A Haunting in Venice” extends 2023’s streak as the Year That Hollywood Lured Grown-Ups Back To Theaters. Less prestigious than practiced in spotlighting the star wattage of its pedigreed cast, Kenneth Branagh’s third Agatha Christie adaptation offers a nimble stopgap between drier art-house fare, traditional studio tentpoles and scrappy genre material leaching ticket sales from their pricier competitors — while satisfying all three potential audiences.

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09.09.2023 / 12:45

‘Dumb Money’ Co-Writer Lauren Schuker Blum: ‘This Movie Is Really About Who Decides Value in a Society’

Todd Gilchrist editor After helming a series of based-on-a-true-story projects including “Million Dollar Arm,” “The Finest Hours,” “I, Tonya” and “Pam & Tommy,” Craig Gillespie was the natural candidate to direct “Dumb Money,” Rebecca Angelo and Lauren Schuker Blum’s chronicle of the January 2021 GameStop stock short squeeze and its reverberations throughout Wall Street. But Gillespie tells Variety it wasn’t his developing pedigree in this eclectic subgenre but an experience closer to home that prompted him to take on the story of Keith Gill, aka Roaring Kitty, and the scrappy bunch of investors who rattled two hedge funds and changed investment culture forever.

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07.09.2023 / 20:57

Maxwell Talks His Long-Awaited ‘Night’ Album, Post-Pandemic Touring and the Influence of Christopher Nolan

Todd Gilchrist editor “I’ve never really had a marketing plan ever in my career,” says Gerald Maxwell Rivera, better known as Maxwell. Though he acknowledges “I’m sure someone was doing one in the building somewhere,” the reason why a more concerted effort wasn’t made may be because the R&B singer, songwriter and producer seemed to arrive fully-formed upon the release of “Maxwell’s Urban Hang Suite,” his lush, libidinous 1996 debut album.

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07.09.2023 / 14:03

‘Ryuichi Sakamoto: Opus’ Review: The ‘Last Emperor’ Composer Gives a Glorious Final Performance

Todd Gilchrist editor To capture the breadth and depth of the musical career of Japanese composer and recording artist Ryuichi Sakamoto seems impossible, but somehow “Ryuichi Sakamoto: Opus” almost accomplishes this herculean challenge. A document of Sakamoto’s final performance before his death from cancer last march, the film provides no commentary or context for the enormity of his body of work, yet somehow encompasses it all as he performs a curated set list in a Japanese recording studio for an audience of one — himself.

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03.09.2023 / 19:55

‘Pet Shop Days’ Review: Two Men With Daddy Issues Attract One Another, and Trouble, in Promising Nepo Debut

Todd Gilchrist editor A scrappy urban tale of misspent young adulthood, Olmo Schnabel’s “Pet Shop Days” evokes the blown-out, stolen-shot 16mm character studies of 1990s independent cinema, as well as the bohemian oeuvre of painter and filmmaker Julian Schnabel, his father. This isn’t attributable merely to the fact that the younger Schnabel includes a scene in which his characters watch Julian’s 1996 “Basquiat,” whose themes and aloof tone — not to mention the events of Jean-Michel Basquiat’s actual life — would seem an obvious inspiration for his first feature.

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02.09.2023 / 19:03

Beyoncé Kicks Off Virgo Season in L.A. With a Pre-Birthday Celebration at SoFi Stadium: Concert Review

Todd Gilchrist editor Los Angeles was severely depleted of its rhinestones, sequins and spandex Friday night when Beyoncé fans descended upon SoFi Stadium for the first night (of three) of her Renaissance Tour appearances at the venue. Dutifully attired in their “most fabulous silver fashions” per the singer’s Aug.

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25.08.2023 / 20:35

Danger Mouse & Jemini’s ‘Born Again’ Feels Like the Best Hip-Hop Record From 2003 You Never Heard: Album Review

Todd Gilchrist editor In the 20 years since “Ghetto Pop Life,” the acclaimed debut album from producer-rapper team Danger Mouse & Jemini, much has happened — to them and to hip-hop, much less to the world. You wouldn’t know it listening to their overdue follow-up, “Born Again,” but that’s a good thing, especially against the backdrop of all of that change.

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24.08.2023 / 19:05

How ‘Gran Turismo’ Racer Jann Mardenborough Became a Stunt Driver in His Own Life Story

Todd Gilchrist editor Before it became a movie — but after first launching as a series of racing simulation games — “Gran Turismo” was the platform that in 2011 allowed Jann Mardenborough to become a professional driver. At 20, and even from behind a virtual console, the Cardiff, Wales native was so skilled at navigating the complexities of the sport — not just the races themselves but the assembly of his vehicles’ literal nuts and bolts — that he earned a chance to attend Nissan and PlayStation’s GT Academy, and later to compete against real professionals on the same world-class tracks recreated in the game.

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24.08.2023 / 00:01

Marvin Gaye Estate Releases ‘Let’s Get It On’ 50th Anniversary Deluxe Edition Featuring 20 Never-Heard Tracks

Todd Gilchrist editor From the wah-wah guitar that opens the title track to the operatic closer “Just to Keep You Satisfied,” Marvin Gaye’s 1973 album “Let’s Get It On” expressed the joy — and complexity — of human sexuality like virtually none in popular music before it. To commemorate the 50th anniversary of its release, Motown/ UMe is holding an event Wednesday featuring fellow R&B luminaries Smokey Robinson and Jimmy Jam, Gaye biographer David Ritz and moderated by UMe A&R vice president Harry Weinger, in advance of a new deluxe edition of the album.

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21.08.2023 / 16:39

‘Strays’ Director, Animal Trainer on Dealing With a Great Dane’s Zoomies and More Canine Challenges

Todd Gilchrist editor The new film “Strays” may enlist Will Ferrell, Jamie Foxx, Isla Fisher and Randall Park to “fill in” the personality of its four canine lead characters, but it’s real-life dogs — and an army of trainers — who work hard to deliver a convincing performance on screen that matches their voice work. Director Josh Greenbaum not only cast the pups with as much thought and detail as when he recruited their human counterparts, but worked closely with head animal trainer Mark Forbes to make sure that they learned the various activities, and behaviors to believably tell the story written by Dan Perrault about a discarded pet who travels cross country with three pals to exact revenge on his owner.

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19.08.2023 / 18:39

‘Strays’ Producers Phil Lord and Chris Miller, Director Josh Greenbaum on How Their Potty-Mouthed Film Portrays the Secret Life of Pets

Todd Gilchrist editor “Strays” follows in the hallowed tradition of stories of animals separated from their loved ones — from “Homeward Bound: The Incredible Journey” to “Finding Nemo” — with a few new twists, and a lot of four-letter words. Even more than offering an uncensored window into the perspective of humankind’s four-legged pals, director Josh Greenbaum and producers Phil Lord and Chris Miller wanted to examine how a closer look at dogs could shed light on some truths about the people who love (and in the case of the movie, loathe) them.

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