Slobodan Milošević: Last News

EXCLUSIVE: The creative team behind Canneseries competition show Operation Sabre wanted to tell a “bigger truth” through their drama about the assassination of Serbia‘s first pro-democracy prime minister, an event that remains raw in the public psyche.

A man wanted for questioning in relation to the Jill Dando murder bears a striking resemblance to a Serbian secret services assassin, an investigation has revealed.

Marta Balaga Beta Film has acquired international distribution rights to Serbian crime thriller “Operation Sabre” (“Sablja”) about the assassination of the Serbian Prime Minister Zoran Đinđić. The eight-hour series – selected for Canneseries’ Long Form Competition – is created and directed by Goran Stanković and Vladimir Tagić. The duo already collaborated on “Morning Changes Everything” and wrote the new show alongside Dejan Prćić, Maja Pelević and Marjan Alčevs.

Chris Willman Senior Music Writer and Chief Music Critic Watching “Kiss the Future,” a documentary about the band U2’s relationship with wartorn Sarajevo in the 1990s, it’s hard not to think: “We’ve seen this movie before.” That’s not to do with the doc itself so much as how aspects of the 30-year-old footage from Bosnia’s brutal civil war parallel what we’ve seen in the news coverage coming out of Ukraine for the past year. Both involve stranger-than-fiction (or stranger-than-fascism) scenarios of cosmopolitan cities suddenly subject to state terrorism, which makes the Matt Damon and Ben Affleck-produced film coincidentally timely, for all its belatedness. In a sense, “Kiss the Future” is the story of a long-distance romance, between a superstar rock quartet reaching its peak and a once-grand metropolis that’s bottoming out. In the early ’90s, genocidally minded Serbian president Slobodan Milošević tried to subject the happily mixed population of Sarajevo to ethnic cleansing by any means necessary. The area’s young people fought back in whatever spirit-lifting way they could — including founding underground discos, forming punk bands and otherwise keeping the arts alive as they dodged shelling and snipers. An American activist, Bill Carter, had the idea to enlist the stadium-filling U2 in publicizing their plight, which led to nightly satellite appearances by Sarajevo locals on the giant screens of the “Zoo TV” tour’s European leg.

For almost four years of siege in the 1990s, the city of Sarajevo concussed from shelling, the rumblings of armored vehicles and the repeated pop of sniper fire.

Christopher Vourlias Belgrade-based Firefly Productions has closed a raft of deals in the run-up to this year’s Sarajevo Film Festival, where the Serbian production powerhouse leads the pack with 19 nominations at the Heart of Sarajevo TV Awards, including best drama series nods for supernatural drama “Block 27” and psychological thriller “Black Wedding.”As Variety previously reported, Beta Film has acquired international distribution rights to “Block 27” (pictured), a science fiction-mystery series about the disappearance of a teenager in Belgrade. Firefly has also closed deals with Australian public broadcaster SBS on “Black Wedding,” which follows a government agent investigating a killing spree and its links to ancient folklore, and “The Family,” a five-part miniseries about the arrest of the former Yugoslav president Slobodan Milošević.