Chris Willman Senior Music Writer and Chief Music Critic Watching “Kiss the Future,” a documentary about the band U2’s relationship with wartorn Sarajevo in the 1990s, it’s hard not to think: “We’ve seen this movie before.” That’s not to do with the doc itself so much as how aspects of the 30-year-old footage from Bosnia’s brutal civil war parallel what we’ve seen in the news coverage coming out of Ukraine for the past year.
Both involve stranger-than-fiction (or stranger-than-fascism) scenarios of cosmopolitan cities suddenly subject to state terrorism, which makes the Matt Damon and Ben Affleck-produced film coincidentally timely, for all its belatedness.
In a sense, “Kiss the Future” is the story of a long-distance romance, between a superstar rock quartet reaching its peak and a once-grand metropolis that’s bottoming out.
In the early ’90s, genocidally minded Serbian president Slobodan Milošević tried to subject the happily mixed population of Sarajevo to ethnic cleansing by any means necessary.
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