Moses Sumney: Last News

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All news where Moses Sumney is mentioned

nme.com
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‘Everything Everywhere All At Once’ breaks A24 box office record
Everything Everywhere All At Once has broken a US box office record for indie studio A24.The ambitious, multi-dimensional martial arts film, direct by The Daniels (Dan Kwan and Daniel Scheinert), overtook Uncut Gems as the studio’s highest-grossing movie ever, making $52,263,484 (£41,829,079) at the US domestic box office after the weekend.The Michelle Yeoh-starring film could be on course to overtake Ari Aster’s horror movie Hereditary as A24’s highest-grossing movie worldwide ($80million) – especially as it still hasn’t opened in all international markets yet, even after its delayed release in UK and Ireland cinemas on May 13.Yeoh plays Evelyn Wang in the film, a mother thrown into a sci-fi action-adventure – alongside Jamie Lee Curtis, Stephanie Hsu and Ke Huy Quan – after she learns she’s able to access the memory and skills of alternate versions of herself throughout the multiverse.Watch the trailer for Everything Everywhere All At Once below.Earlier this month (May 13), Yeoh said she texted Jackie Chan teasing him about turning down the lead role.The martial arts legend was originally envisioned by Scheinert and Kwan as playing Everything Everywhere All At Once‘s main character. However, when he said he was unavailable, they rewrote the part for Yeoh.“Jackie actually texted me,” she told the Guardian about his response to the film.
nme.com
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Poet Hanif Abdurraquib on curating at Brooklyn Academy of Music: “We’re building a world around the vastness of Black performance”
NME about curating Brooklyn Academy of Music’s spring 2022 music series to “build a world around the vastness of Black performance”.Through multiple books, including Go Ahead in the Rain: Notes on A Tribe Called Quests and A Little Devil in America: Notes in Praise of Black Performance, the National Book Award finalist and MacArthur “Genius Grant” recipient has built a career focused on extending the “understanding of the multitudinous and global nature of Black performance.”With the intention of highlighting Black musicianship, celebrating the return of in-person communal experiences, and “expanding my imagining of what a live music concert can be”, the essayist and critic organised America’s oldest performing arts centre’s first foray into live music since the start of the COVID pandemic.The intimate and creative shows, which kicked off on February 25 and run until May 21, have featured Abdurraquib’s hand-picked selection of artists, including Moses Sumney, Bartees Strange, Devonté Hynes, and L’Rain, with performances from Mavis Staples and the premiere of Omar Offendum’s hip-hop musical, Little Syria set for next month.“It’s interesting to be in a position where you can do anything, because my initial response was, ‘Well I don’t wanna do anything’,” Abdurraquib told NME.
variety.com
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Oneohtrix Point Never — a.k.a. Electronic Musician and Weeknd Collaborator Daniel Lopatin — Signs Publishing Deal With Downtown
Jem Aswad Senior Music EditorDowntown Music Services has inked a global music publishing administration agreement with Brooklyn-based artist, composer and producer Daniel Lopatin, the company announced Wednesday.Lopatin, who records and performs as Oneohtrix Point Never, has released multiple albums and tracks over the years including his most recent project, “Magic Oneohtrix Point Never.”He also has collaborated extensively with the Weeknd over the past two years, serving as an executive producer on the recent “Dawn FM” album, and also was musical director of the artist’s 2021 Super Bowl Half Time performance. Earlier this year he completed work on his first full album production for another artist, Soccer Mommy’s upcoming album “Sometimes, Forever.” His production credits over the years also include David Byrne, Moses Sumney, Anohni and Charli XCX as well as collaborations with Iggy Pop, Rosalía, James Blake and Elizabeth Fraser.His original film scores include Josh and Benny Safdie’s “Uncut Gems” and “Good Time,” for which he received the Best Soundtrack Award at the 2017 Cannes Film Festival.

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