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futuristic sci-fi head trip. Set in 2263, it sees ex-military cab driver Korben Dallas (Bruce Willis) team up with a mysterious orange-haired woman named Leeloo (Milla Jovovich) to save the planet from a malevolent alien force, which is being helped by ruthless businessman Zorg (Gary Oldman). The sprawling action movie was stuffed with color, music and eccentric humor; it made a star of Chris Tucker, who played flamboyant TV personality Ruby Rhod, and enlisted comic-book artists to render a future New York City and designer Jean-Paul Gaultier to engineer cutting-edge costumes.“Luc Besson did everything I thought a great artist should do,” sound designer Mark Mangini, who worked on the film (and just won an Oscar for “Dune”), told The Post.

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In Shocker, ’32 Sounds’ Takes Top Documentary Award At Cinema Eye Honors, Plus Two Other Awards (Full List)

32 Sounds, the innovative documentary that explores the power of sonic experience, pulled off a shocker at the Cinema Eye Honors Friday night, winning Outstanding Nonfiction Feature over Still: A Michael J. Fox Movie and other prominent nominees.

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’32 Sounds’ Filmmaker Sam Green on Why He Wants Audiences to Wear Headphones: ‘It’s the Best Possible Sound Experience’

Jazz Tangcay Artisans Editor Sam Green’s last film “A Thousand Thoughts” was a documentary about the Kronos Quartet, but his challenge was getting people to “hear” the film because everything about the medium is visual. When it came to his next project, “32 Sounds,” the documentary feature shortlisted for Oscar, he set out tell a story specifically about sound and the aural experience. Green assemblies 32 different scenarios in an attempt to challenge how audiences think about sound.

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’32 Sounds’ Review: Auditory Wonders

32 Sounds (★★★★☆) aims to unlock the power sound wields over our ears, bodies, and minds. Director Sam Green actually suggests in the film that a pair of good headphones are the best way to experience not only the designated disparate sounds, but the vast world of music, noise, nature, and silence the movie explores with verve and technical prowess.Inspired by the award-winning Thirty-Two Short Films About Glenn Gould, the film also wields a sentimental streak suiting Green’s message that sound connects us to the world.

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‘Good Night Oppy’ Director Ryan White On The Humans At NASA Who Made A Robot On Mars So Beloved — Contenders Documentary

In the new documentary Good Night Oppy, the Mars Opportunity rover becomes the scrappy robot that could: an instrument platform that trundles across a rusty landscape millions of miles away, searching for alien life signs, and outlasts its own projected existence by almost 15 years.

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‘Dune’ Takes Oscar For Best Achievement In Sound

Dune won the Oscar for Achievement in Sound, in one of tonight’s category outcomes that had been widely predicted.

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Denis Villeneuve Pays Tribute to Artisans & Writers Who Brought ‘Dune’ to Life

Tim Gray Senior Vice PresidentDenis Villeneuve, the director, co-writer and a producer of WB/Legendary’s “Dune,” talked with Variety about the four creative stages of filming — scriptwriting, preproduction, production and post — as they related to his adaptation of Frank Herbert’s 1965 novel. The film has been Oscar-nominated in each of those four stages, with 10 well-earned bids.“I’m very proud of my team.

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‘Dune,’ ‘West Side Story’ and ‘Nightmare Alley’ Among Golden Reel Award Winners

Golden Reel Awards were held this Sunday, honoring the best achievements in sound editing across film, television, video games and student work with “Dune,” “Nightmare Alley” and “West Side Story” among the winners.The ceremony, which was held virtually, was opened by an address from Motion Pictures Sound Editors president Mark Lanza congratulating the members of the organization for their continued work over the course of the COVID-19 pandemic.“These past two years, our members led the way in developing remote solutions that kept them working,” Lanza said at the ceremony. “We salute their ingenuity.

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‘No Time to Die’ Sound Editors Blast Oscars for Broadcast Cuts After BAFTA Win: ‘It’s F-cked Up’

K.J. Yossman BAFTA award winners Tom Cross and Elliot Graham have decried the Academy of Motion Picture Arts and Sciences’ decision to cut eight different Oscar categories, including film editing, from the live telecast.Although “No Time to Die” is not nominated for best film editing at the Oscars, the duo said they were unhappy with the Academy’s decision to remove craft categories from its live awards broadcast during the BAFTA winners press conference after picking up their award.“I’m glad you asked that,” said Cross in response to Variety’s question about the Academy’s decision. “I mean speaking for myself, I’m not a fan.

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Can ‘Dune’ Tie or Surpass the ‘Cabaret’ 50-Year Oscar Record for Most Wins Without Best Picture?

Clayton Davis The most shocking snub of the Oscar noms was Denis Villeneuve’s omission from the best directing category for his science-fiction epic “Dune.”The film’s 10-nomination haul includes best picture and adapted screenplay, the latter perceived to be its most difficult to attain. Yet, Villeneuve’s lack of recognition for directing could rally widespread support from Academy voters and result in the film tying or surpassing a 50-year record held by “Cabaret” (1972).Bob Fosse’s classic adaptation of the Broadway stage musical set a record at the 45th Academy Awards for the most Oscars received without winning best picture.

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Academy Voters May be Hampered by Experiencing Films Outside of Theaters

Mark Mangini I’m disheartened that many Academy voters will decide who the contenders for this year’s awards are by viewing (and listening) from a streaming service or platform. I am not a cinema purist, nor am I advocating a return to “only in a cinema” — this is just an examination of the ways we judge films and how we can make the most informed decisions.The compromises made to watch a film on televisions, laptops and tablets result in reduced fidelity to image and sound that make some disciplines difficult to judge adequately — judgments that rely on technical as well as artistic fidelity.

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