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variety.com

26.09.2022 / 20:57

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‘Riot Police’s’ Rodrigo Sorogoyen Brings ‘La Guerra’ Onto the International Market (EXCLUSIVE)

John Hopewell Chief International Correspondent Rodrigo Sorogoyen, director of “As Bestas,” “Riot Police” and the Oscar-nominated “Madre,” is bringing onto the international market “La Guerra,” a six-part drama delivering a new vision of the Spanish Civil War which looks like one of the biggest Spanish series ever made. Sorogoyen will direct all six episodes. Isabel Peña, Sorogoyen, and Eduardo Villanueva, “Riot Police’s”writing team, have fairly definitive version of three episodes with the rest at an initial phase. “La Guerra” was originally set up at Movistar Plus+. In an amicable settlement – Sorogoyen has gone on to direct and promote an episode of Movistar+ original “Offworld” at last week’s San Sebastián – after Movistar Plus+ pulled out of the series, Sorogoyen and Villanueva’s Madrid-based label Caballo Films have recovered the rights.

John Hopewell Rodrigo Sorogoyen Denis Ménochet Spain France Madrid film stars audience

‘The Beasts,’ Rodrigo Sorogoyen Opens Up – a Little – from Cannes

John Hopewell Chief International CorrespondentFrom the 100-second tracking shot to building pulse music that opens “The Realm” to the slug-fest finale of “May God Save Us,” Oscar-nominated Rodrigo Sorogoyen (“Mother”) has filmed some of the most exhilarating shots in recent Spanish cinema.His status as a filmmaker consolidated by a series, Movistar Plus’ “Riot Police,” “The Beasts” (“As Bestas”), which plays in Cannes Premiere, rates as one of, if not the most awaited Spanish movie of 2022.From a brief synopsis, it might look like a return to one of Sorogoyen’s central obsessions: Violence. But that is most likely a half truth.

Rodrigo Sorogoyen Isabel Peña Eduardo Villanueva Denis Ménochet Marina Foïs Spain France county Thomas city Sandra film track shootings

Cannes-Bound ‘The Beasts,’ from ‘The Kingdom’s’ Rodrigo Sorogoyen, Gets Poster From James Verdesoto (EXCLUSIVE)

Holly Jones World premiering in Cannes’ Premiere section, Rodrigo Sorogoyen’s thriller “The Beasts”(“As Bestas”) has shared with Variety its poster, crafted by James Verdesoto at New York’s Indika Entertainment Advertising, who as creative director at Miramax was responsible for the original award-winning film poster of “Pulp Fiction,” as well as those for “The Piano” and “The Crying Game,” among 200 posters.In advance of its Cannes bow, “The Beasts’” sales agent Latido Films has granted Variety an exclusive first look at its key art campaign, which may well drive to the heart of the film.The poster depicts three men entangled, close up. Two men grasp a third whose mouth opens in agony, consumed by a raw, animalistic rage, in a vertical tangle.

Rodrigo Sorogoyen Isabel Peña Denis Ménochet Marina Foïs Spain France New York film art information Bound

‘The Divide’ (‘La Fracture’): A Dark, Exhausting Dramedy Chronicles Divorce & the Gilets Jaune Protests [Cannes Review]

A sweeping social protest met with utter chaos in an emergency room—especially to the American festival-goer at Cannes, this brief sounds like an unpleasant evocation of 2020. And indeed, filmed in the immediate aftermath of the gilets jaunes protests in France, Catherine Corsini’s “The Divide” (“La fracture”) both reflects the past year and eerily foreshadows the true disaster in emergency rooms that followed the events of the film.

Catherine Corsini Marina Foïs Pio Marmaï France USA

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