Makoto Shinkai: Last News

EXCLUSIVE: Crunchyroll announced today tha auteur filmmaker Makoto Shinkai’s animated FILM Suzume will come to its streaming service exclusively on November 16. The award-winning film will be available in North America and all of Crunchyroll’s international territories (excluding Asia and France).

NME, Japanese rock band King Gnu have discussed touring abroad for the first time, frontman Daiki Tsuneta’s upcoming collaborations with Daniel Caesar, and much more.NME caught up with the quartet at the Singapore stop of their sold-out Asia tour in April, which also called at Taipei, Shanghai and Seoul and marked the J-rockers’ first-ever tour abroad. King Gnu sold out all seven shows on the tour – a victory lap after the band’s sold-out dome tour in Japan three months prior.King Gnu have been touring behind their eclectic, flamboyant 2023 album ‘The Greatest Unknown’.

Jamie Lang Anime artist Yoshitoshi Shinomiya cut his teeth working on films by superstar Japanese filmmaker Makoto Shinkai, including the director’s box office smash hit “Your Name.” Now, Shinomiya is prepping his feature directorial debut, “A New Dawn,” a profoundly personal film inspired by the changing Japanese landscape after the Great East Japan Earthquake of 2011. Tokyo-based Asmik Ace (“Inu-Oh,” ” Tekkonkinkreet”) and France’s Miyu Productions (“Chicken for Linda,” “Dozens of Norths”) are producing the feature, which the former will distribute globally. “A New Dawn” unwinds inside an inactive fireworks factory that is about to go into administrative action.

Caroline Brew editor Makoto Shinkai discussed his inspirations for establishing the tone of “Suzume” and how he approached themes of natural disaster in a conversation for Variety’s Artisans Screening Series moderated by Variety’s chief film critic Peter Debruge and translated by Mikey McNamara. Shinkai revealed that with “Barbie” and “Oppenheimer” being grouped together as “Barbenheimer,” he expected “Barbie” to carry a similar seriousness to “Oppenheimer.” Thus, he was surprised to see how comedic the film was.

EXCLUSIVE: Crunchyroll announced today a special one-day-only private pop-up installation MAKOTO SHINKAI: A Journey from Voices of a Distant Star through Suzume which will explore the complete works of Japanese animation filmmaker Makoto Shinkai.

Patrick Frater Asia Bureau Chief A TIFFCOM seminar on Thursday demonstrated both a sense of incredulity that Japanese animation “Suzume” could have enjoyed such wide international success and conveyed the depth of passionate behind-the-scenes strategizing that made it happen. Since its release in Japan at the end of 2022 and international expansion in spring of 2023, following a Berlin festival competition slot, “Suzume,” a fantasy drama about a girl who helps avert natural disasters, sold more than 47 million tickets worldwide. “And most of those people don’t even speak Japanese,” said the session’s moderator Sudo Tadashi, journalist and professor at the Japan University of Economics. Sunami Kazuki, MD of producer CoMix Wave Films and the Takeda Akihiro, an executive attached to the president’s office at the film’s worldwide distributor Toho, said that “Suzumi’s” success was not a foregone conclusion. Its success was years in the making and based on the growing performance of director Makoto Shinkai’s previous movies as well as growing international understanding of the Japanese anime genre. At the beginning of their collaboration, Shinkai and CoMix had little expectation that Shinkai’s works could appeal to non-Japanese distributors and audiences. But, within Asia at least, fans are tuned in to certain kinds of content from other countries. “We also owe this success to the cumulative impact of Studio Ghibli and ‘Demon Slayer 2’,” said Sunami. Shinkai’s 2013 film “The Garden of Words” was initially a Japan-only theatrical release, but it registered in China after Japanese box office success.

SPOILER ALERT: This interview includes details about Crunchyroll’s Suzume.

Jazz Tangcay Artisans Editor SPOILER ALERT: This story discusses major plot points of “Suzume,” currently playing in theaters. Makoto Shinkai’s latest anime feature, “Suzume,” hits American theaters this weekend. The film is set in the aftermath of the 2011 earthquake that devastated Japan’s Tohoku region, centering on themes of loss and grief. Shinkai brings in a talking cat and mobile three-legged chair to help tell the story of a young girl, Suzume, who travels across disaster-stricken Japan in hopes to save the country from its devastation. This leads her to the Ever After, a fantastical realm of souls which Suzume first discovers when she finds a mysterious door and walks through it.

EXCLUSIVE: Crunchyroll has tapped Nichole Sakura (Superstore) for the title role in the English-language dub of their acclaimed animated feature Suzume, which in addition to the original subtitled version, debuts in theaters in Australia and New Zealand on April 13, coming to the U.S., Canada, the UK and Ireland the following day.

Peter Debruge Chief Film Critic Tapping into the Japanese national zeitgeist once again with “Suzume,” writer-director Makoto Shinkai surpasses his peers in making films for and about teenagers. Now 50 years old, the anime master christened his latest blockbuster after its heroine, Suzume Iwato (voiced by Nanoka Hara), a 17-year-old orphan on the southwestern island of Kyushu swept up in a cross-country trip to prevent a series of natural disasters. That such a responsibility should fall to someone so young is typical of his oeuvre (see “Weathering With You”), but also an apt way of illustrating the lingering trauma and vulnerability that adolescents feel in many parts of Japan. Funnier and more streamlined than Shinkai’s earlier hypercharged toon epics, “Suzume” is a massive hit in its home country, where it has earned more than $100 million since opening last November — his third film to pass that milestone. The film made its international premiere at the Berlinale, one of two animated features in official competition (the other being Chinese director Liu Jian’s “Art College 1994”). Theatrical releases are scheduled to follow in most countries on or around April 13.