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Gianni Amelio: Last News

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deadline.com
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‘Battleground’ Review: War Is Hell In Gianni Amelio’s Atmospheric But Dramatically Underpowered WW1 Drama – Venice Film Festival
The battleground in veteran Italian director Gianni Amelio’s atmospheric feature is nominally Europe in the last furlong of the 1914-18 conflict, but the real subject is the war that the Italian government declared on its own people. There are aspects of this all-too-true story, based loosely on Carlo Patriarca’s 2020 novel The Challenge, that will resonate throughout the world, and one might think that post-Vietnam America would be especially receptive to a story about the callous deployment of young, blue-collar men into savage conflicts from which they will almost certainly never return. Amelio’s film, however, while perfect for the local market, isn’t exactly likely to cross over.
Gianni Amelio Italy Vietnam film information google Provident Enterprise War Тикеры
justjared.com
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Emily Ratajkowski, Aaron Taylor-Johnson, & More Attend 'Battlefield (Campo Di Battaglia)' Premiere at Venice 2024
The stars are hitting the red carpet at the 2024 Venice Film Festival!
Emily Ratajkowski Stella Maxwell Eva Green Jasmine Tookes Gianni Amelio Italy city Venice, Italy film stars Photos battlefield UPS Тикеры
variety.com
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‘Battleground’ Review: The Cure is Often Worse Than the Disease in a Turgid WWI Medical Drama
Jessica Kiang 1918 in Italy was, a title reminds us, “the year of victory.” Yet the first images in Gianni Amelio‘s WWI-set “Battleground” are anything but triumphal: a pile of bloodied soldiers’ bodies glinting wetly in the moonlight; a scavenger pilfering the wallets of the dead; a blanket thrown over a survivor whose gibbering shellshock makes him too abject to look at. The irony is heavy, the way everything in this stultifyingly serious drama is heavy: the skies, the mood, the movements of Luan Amelio Ujkaj’s stately-to-the-point-of-staid camera.
Gianni Amelio Jessica Kiang Italy film pandemic patient wellness poverty Fighting Aware Disease
variety.com
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Gianni Amelio’s Homophobia-Themed Drama ‘Lord of the Ants’ Reaches Top Italian Box Office Spot After Venice Bow
Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.
Marco Bellocchio Nick Vivarelli International Simone Gattoni Italy Japan city Venice film stars audience
deadline.com
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Venice Review: ‘The Lord Of The Ants’ Addresses Homosexuality Under Fascist Rule
Myrmecology is a study of science that looks at the life, society, and hierarchy of Ants. Early Myrmecologists believed that Ant culture was utopian and thought by studying them in encased Ant farms, they could find solutions to human problems. However, in Gianni Amelio’s Italian post-WWII drama, The Lord of the Ants (Il Signore Delle Formiche), flips this idea around. It examines why strict societies foster cultures of oppression where everyone must play their role or be punished. The screenplay by Amelio, Federico Fava, and Edoardo Petti chooses its dialogue with precision. They want us to know they resent post-Mussolini Europe and how not just homosexuals but anyone on the margins is oppressed under fascist rule. 
Gianni Amelio Aldo Braibanti Italy city Rome film Love man rule
variety.com
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‘Lord of the Ants’ Review: Gianni Amelio’s Stodgy But Eventually Stirring Account of Homophobic Injustice
Guy Lodge Film Critic Gianni Amelio was in his late sixties when he came out as gay a few years ago. The announcement preceded the release of his documentary “Happy to Be Different,” which worked toward an overriding sunniness in contemplating the trials and challenges of being gay in Italy at various points in the 20th century. In turning to a gay-themed narrative project, Amelio narrows the focus and dims the mood: “Lord of the Ants” takes as its subject the gay Italian author Aldo Braibanti, and the social and legal opposition he faced over his sexuality in mid-1960s Rome. Solemn, stately and perhaps a little stifled, it’s the kind of queer statement you might expect from a veteran filmmaker who wasn’t until relatively recently out and proud, and is rather poignant for that.
Guy Lodge Italy city Rome Malta film Gay man
variety.com
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The Match Factory Scores Multiple Sales on Gianni Amelio’s ‘Lord of the Ants’ Ahead of Venice Premiere (EXCLUSIVE)
Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.
Giorgio Diritti Elio Germano David Di-Donatello Marco Bellocchio Nick Vivarelli International Luigi Lo Cascio Simone Gattoni Gianni Amelio Daniele Luchetti Sara Serraiocco Aldo Braibanti Australia Spain New Zealand Sweden Italy Japan Greece Tunisia film actor awards Scores
variety.com
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‘Tár’ Leads Large Pack of Venice Pics in Race for Queer Lion
Gregg Goldstein Since 2007, Venice’s Queer Lion Award has reflected and elevated the best in LGBTQ cinema. Fifteen years later, founder Daniel N. Casagrande said this year’s Venice Film Festival will be “the most queer edition ever.” Among the fest’s 30 LGBTQ-themed titles, 19 are competing for the Queer Lion, including a record six films from the main competition. They include Todd Field’s orchestra conductor drama “Tár,” starring Cate Blanchett; Darren Aronofsky’s estranged gay father study “The Whale,” featuring Brendan Fraser; Laura Poitras’ doc “All the Beauty and the Bloodshed,” chronicling bisexual artist Nan Goldin’s life and anti-opioid crusade; Andrea Pallaoro’s trans woman family drama “Monica”; Emanuele Crialese’s “L’immensità,” starring Penélope Cruz as the mother of a transgender child; and Gianni Amelio’s “Il signore delle formiche,” the true story of an Italian artist jailed under an infamous anti-gay law.
Cate Blanchett Darren Aronofsky Brendan Fraser Laura Poitras Emanuele Crialese Andrea Pallaoro Gregg Goldstein Nan Goldin Teddy Award Italy film awards queer
deadline.com
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International Disruptors: RAI Cinema CEO Paolo Del Brocco Talks Company’s Venice Debuts & The Push To Get Italian Audiences Back Into Cinemas
Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. As the Venice Film Festival kicks off today, we’re speaking with RAI Cinema CEO Paolo Del Brocco about some of the company’s 24 titles featuring in the festival this year as well as his ongoing challenge to lure Italian audiences back into the cinema after a rocky post-pandemic period. 
Susanna Nicchiarelli Paolo Del Brocco Italy city Venice film audience CEO
deadline.com
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Tarak Ben Ammar’s Eagle Pictures Expands With Acquisition Of Production Start-Up 302 Original Content
Leading Italian theatrical distribution and production house Eagle Pictures has acquired a 100% stake in emerging independent film and TV production start-up 302 Original Content.
Tarak Ben-Ammar USA Italy city Rome county Eagle film Eagle Banner

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