George Martin: Last News

+11

The Beatles’ iconic rooftop gig in 1970 ‘Let It Be’ documentary “almost didn’t happen”

The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.
nme.com

All news where George Martin is mentioned

nme.com
47%
985
The Beatles’ iconic rooftop gig in 1970 ‘Let It Be’ documentary “almost didn’t happen”
The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.
nme.com
85%
659
Listen to ‘Take 1′ of The Beatles’ ‘Tomorrow Never Knows’
The Beatles’ ‘Tomorrow Never Knows’ has been released – you can listen to the studio outtake below.The track forms part of a new special deluxe edition of the legendary band’s 1966 album ‘Revolver’, which is set for release on October 28.Recorded during the first ‘Revolver’ recording session on April 6, 1966 in Studio Three at EMI Studios (now called Abbey Road Studios), The Beatles were joined by their producer George Martin, recording engineer Geoff Emerick and technical engineer Ken Townsend.“John [Lennon’s] ethereal vocals (fed from his mic through a rotating Leslie speaker), and innovative tape loops – including Paul [McCartney] saying ‘ah, ah, ah, ah’, which when sped up produced a sound similar to a seagull’s screech – converge with Ringo [Starr’s] thunderous drum pattern, George [Harrison]’s tamboura drone, and a backwards guitar solo,” a press release explains of the recording, which you can hear below.In an interview before ‘Revolver’’s 1966 release, McCartney told NME: “We did it because I, for one, am sick of doing sounds that people can claim to have heard before.”First confirmed by Giles Martin – the son of the late Beatles producer George – last month, ‘Revolver’ is the latest Beatles album to be re-released as a remixed and expanded deluxe box set following ‘Sgt.
DMCA