David Ehrlich: Last News

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variety.com
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Joaquin Phoenix, Elliott Gould, Chloe Fineman and More Jewish Creatives Support Jonathan Glazer’s Oscars Speech in Open Letter (EXCLUSIVE)
Ellise Shafer Joaquin Phoenix, Elliott Gould, Chloe Fineman and more than 150 other Jewish creatives have signed an open letter in support of Jonathan Glazer’s Oscars speech. The list of 151 signees obtained by Variety also includes Phoenix’s sister Rain, three-time Oscar nominee Debra Winger, “May December” director Todd Haynes, “Sorry to Bother You” helmer Boots Riley, acclaimed filmmaker Joel Coen, “Room” director Lenny Abrahamson, “Arrested Development” star David Cross, documentarian Amy Berg, “Barbie” actor Hari Nef, legendary playwright Tom Stoppard, former Focus Pictures CEO James Schamus, comedian Kate Berlant, “You Hurt My Feelings” director Nicole Holofcener, “Secrets & Lies” auteur Mike Leigh, “Passages” filmmaker Ira Sachs, “Gossip Girl” actor and writer Tavi Gevinson, “The Princess Bride” actor Wallace Shawn, “Bottoms” director Emma Seligman, “Mistress America” star Lola Kirke, “Zola” helmer Janicza Bravo, “Broad City” stars Ilana Glazer and Abbi Jacobson and IndieWire film critic David Ehrlich.
nypost.com
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Early reviews of Baz Luhrmann’s ‘Elvis’ claim it’s ‘deliriously awful’
“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.
dailymail.co.uk
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Tom Cruise 'Top Gun: Maverick' praised in film reviews by movie critics
Maverick is back on the big screen and film critics are hailing it as a triumphant return forTom Cruise.Top Gun: Maverick, a sequel to Tony Scott's classic 1986 blockbuster, has been unanimously praised in early reviews with one declaring that it'improves upon the original in every conceivable way.'Cruise, 59, has reprised his role US Navy pilot LT Pete "Maverick" Mitchell, and reunites with Val Kilmer who is also back playing LT Tom "Iceman" Kazansky.Variety film criticPeter Debruge calls the film a 'barrier-breaking sequel' that succeeds because of its 'perfectly coordinated teamwork' among six pilots, rather than it being 'The Tom Cruise Show.' Maverick's triumphant return! Tom Cruise's 'exhilarating' Top Gun 2 is praised by film critics in rave first reviews saying it 'improves upon the original in every conceivable way'Cruise, who is famous for doing his own stunts, is said to have trained to withstand g-force power and actually flew in real fighter jets for the sequel.'These days, videogame-styled blockbusters rely so heavily on CGI that it’s thrilling to see the impact of gravity on actual human beings, pancaked to their chairs by multiple G-forces,' Debruge enthuses.'The result is the most immersive flight simulator audiences will have ever experienced, right down to the great Dolby roar of engines vibrating through their seats.' Wow factor:Variety hails the film as a 'barrier-breaking sequel' that succeeds because of its 'perfectly coordinated teamwork' among six pilots, rather than it being 'The Tom Cruise Show'Critic David Ehrlich also praised the technical milestones in his review for IndieWire, writing: 'Watching Cruise pilot a fighter jet 200 feet above the floor of Death Valley, corkscrew another one

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