Billy Crystal: Last News

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You talking to me? Robert De Niro gets his own De Niro Con at 2024 Tribeca Film Festival

Robert De Niro.The off-shoot, appropriately titled De Niro Con promises to be a fitting tribute to the Oscar winner. “I can’t think of a better way to celebrate 80 years of Robert De Niro, my dear friend and co-conspirator for the past 35 years, than by throwing a big bash for his fellow New Yorkers,” Tribeca co-founder and CEO Jane Rosenthal said in a statement.The extravaganza, which takes place from June 14-16, is a De Niro delight.And many famous co-stars and directors will be joining in.Film screenings include “A Bronx Tale” with an introduction by co-star Chazz Palminteri.“Jackie Brown” will be followed by a conversation between Quentin Tarantino and De Niro.Billy Crystal will be chatting with De Niro after a screening of “Analyze This.”“Silver Linings Playbook” will include a convo with director David O.
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‘Bucky F*cking Dent’ Review: David Duchovny Directs and Stars in a Winning Story of Fathers, Sons, Baseball and Death
Owen Gleiberman Chief Film Critic “Bucky F*cking Dent,” the second movie written and directed by David Duchovny (the first was “House of D,” in 2004), is based on a novel by Duchovny that was published in 2016, and whether or not the story is autobiographical, it feels autobiographical, and I mean that as a compliment. Set in the summer of 1978, it’s framed around one man’s obsession with the Boston Red Sox — meaning, of course, the curse of the Bambino, going back to 1918, the last time (until 2004) the Sox won the championship. The man is Ted Fulilove, which is a terrible last name for a movie character, though he’s played by Duchovny as a cussed crab apple with an amusing misanthropic put-down for every occasion (like: “Closure’s for morons”). “Bucky F*cking Dent” has a handful of characters, but it’s essentially a father-son two-hander — one of those dramadies in which the dad is a heartless-on-the-surface coot who was no good when it came to how he treated his family, and the son is a lot nicer and more sensitive, but maybe too sensitive (as a correction to all that paternal dickishness). Which also means that he’s lost.
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Seth Rogen and Rose Byrne Are a Tough Hang in ‘Platonic’: TV Review
Alison Herman TV Critic The Apple TV+ comedy “Platonic” is a reunion of the 2014 movie “Neighbors” (and its 2016 sequel “Neighbors 2: Sorority Rising”), again pairing stars Seth Rogen and Rose Byrne with the writer and director Nicholas Stoller. But “Platonic” also models itself after another, more enduring classic: Nora Ephron’s “When Harry Met Sally,” a film explicitly referenced in the pilot of “Platonic” and the greatest work of art drawn from the essentially trite question of whether (straight) men and women can be friends. In “Neighbors,” Rogen and Byrne played spouses. In “Platonic,” they’re long-estranged besties who rekindle their codependent bond. As premises go, it’s a thin one. Ephron’s opus is now 34 years old, and even “When Harry Met Sally” was less seriously engaged with the idea of friendship between the sexes than using the setup as a showcase for Ephron’s wit, Meg Ryan’s charm and Ryan’s chemistry with Billy Crystal. “Men and women don’t really hang out with each other at our age,” says Sylvia (Byrne), a former lawyer who’s now a stay-at-home mother of three. Her argument is half-hearted, unconvincing and immediately dismissed by her husband Charlie (Luke Macfarlane), who encourages Sylvia to get in touch with craft brewer Will (Rogen) in the wake of his divorce. 
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