Anthony Vaccarello: Last News

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Italian Buzz Titles Include Films by Paolo Sorrentino, Luca Guadagnino

Nick Vivarelli International Correspondent The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The Tearsmith” and promising fresh fare from Cinema Italiano’s next generation.
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‘Strange Way of Life’ Review: Pedro Almodóvar’s Fashion Short Reduces Its Gay Cowboys to a Couple of Clothes Horses
Peter Debruge Chief Film Critic Every time two cowboys point their guns at one another on screen, there’s something homoerotic at play. Hollywood Westerns may be loath to admit as much, but not so Pedro Almodóvar, who casts Ethan Hawke and Pedro Pascal as lonesome cowboys reunited after 25 years in “Strange Way of Life.” Commissioned by Saint Laurent Productions (which is also premiering a Jean-Luc Godard short at Cannes), this half-baked half-hour serves as a sexy showcase for creative director Anthony Vaccarello’s latest designs, while barely delivering on the promise that an Almodóvar-made “gay cowboy” movie conjures in the imagination. At the Cannes premiere, the Spanish director described “Strange” as his response to a question posed by “Brokeback Mountain”: What can two men do on a ranch? Silva (Pascal) gives Jake (Hawke) his answer in the final seconds of the short, and it’s sweet, though it turns out Almodóvar is misremembering Ang Lee’s 2005 Western. The scene he’s thinking of is probably the one where Heath Ledger’s character tells Jake Gyllenhaal how his father made a point of showing him an old rancher’s corpse, gay-bashed with a tire iron and then “drug … around by his dick.” With an image like that in their minds, no wonder the couple decide to keep their forbidden love on the down low.
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