John Hopewell Chief International CorrespondentLaureled way back in 1995 for her short “Dead King” in feature anthology “Historias Breves,” a Sundance/NHK Award winner for the screenplay of her debut feature “The Swamp” in 1999, Argentina’s Lucrecia Martel is no stranger to jury prizes, handing them out as president of the Venice Film Festival main competition jury last year.That said, her top Pardo 2020 prize in the Locarno Festival’s The Films After Tomorrow – awarded Friday – may be special, both for its money, as Argentine cinema hits a perfect storm of economic crisis capped by COVID-19, and because of the festival that gives it.
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