city Tallinn: Last News

Rammstein played a huge outdoor gig in Coventry on Sunday (June 26), with the show reportedly heard over 10 miles away.Local news outlet the Coventry Telegraph reported that multiple noise complaints were made by residents multiple miles from the CBS Arena venue.As the Telegraph write, “householders leapt onto social media to report hearing ‘loud thumping’ across Nuneaton and as far away as Burton Hastings — which is eleven miles away.“Some were confused at what the noise until others said it was the rock band’s gig.”The outlet revealed that Facebook posts from local residents revealed that they could hear “loud thumping” and “a loud beat through their closed windows,” adding: “A loud boom was heard around 10:20PM as fireworks lit up the night sky to end the gig.”See footage from Rammstein’s massive stadium show below.The band’s new tour, which stretches throughout 2022, follows the release of the German rockers’ eighth album, ‘Zeit’, which was released earlier this year.

Christopher Vourlias Since hosting its first dedicated drama series conference during the 2017 Tallinn Black Nights Film Festival, the Industry@Tallinn & Baltic Event – the festival’s industry arm – has continued to expand the scope of its popular TV Beats Forum.This year’s event, which will take place during the Industry@Tallinn & Baltic Event from Nov. 18-25, includes a conference program focused on the latest industry trends, preview screenings of the newest series from the Nordic, Baltic and Central and Eastern European regions, and a co-financing market showcasing a curated selection of eight-10 series currently in development.Marge Liiske, managing director of Industry@Tallinn & Baltic Event, says the growing TV strand is a recognition of the “well-established reality” facing Baltic producers today.

Christopher Vourlias In the days after Russia’s invasion of Ukraine on Feb. 24, organizers of the Tallinn Black Nights Film Festival quickly shifted gears to offer whatever support they could.

Christopher Vourlias The Tallinn Black Nights Film Festival is already recognized as one of the most influential industry showcases in the Baltic and Nordic regions. But the organizing team of the festival, which celebrated its 25th anniversary last year, are keen to point out that the popular event isn’t just a one-off affair.

Christopher Vourlias Ukrainian director Olha Zhurba and producer Darya Bassel are teaming up on a documentary about Ukraine’s refugee crisis after their last collaboration, “Outside,” premiered at Copenhagen’s CPH:DOX festival this year.The project, with a working title “Displaced,” is being produced by Bassel’s Kyiv-based Moon Man production outfit in co-production with Germany’s Koberstein Film and Denmark’s Final Cut for Real.Zhurba began filming not long after the Russian invasion on Feb. 24, capturing footage of the thousands of Kyiv residents who had flocked to the capital’s railway station for safety.

Anna Marie de la Fuente In response to shifting dynamics at film festivals, many of which have been impacted by the pandemic, a new curated Spanish film platform, Panoramic.film is entering the market.Spearheaded by curator Xavier Puerto, director of the Festival REC de Tarragona and a Spanish-language film programmer for the Tallinn Black Nights Film Festival in Estonia, Panoramica’s offer is two-fold: “We offer festivals the possibility of completing their line-up with especially curated programs and, through our selective catalogue, offer filmmakers the chance to see their films extend their rounds on the international festival circuit,” said Puerto.The idea for the platform came about after conversations with various festival heads and cultural institutions as they grappled with the changes brought about by the pandemic, with many forced to hold online or hybrid editions. “On the other hand, it is a common conversation among filmmakers that most films, for a variety of reasons, have a very ‘short’ life on the festival scene, regardless of their quality,” Puerto noted.With a number of festivals coming to realize that a hybrid version has enabled them to reach audiences beyond their borders, many have embraced it for the long term.“We want to help festivals with the sometimes rather complex process of presenting a hybrid version and help its audiences discover hidden gems,” said Puerto.In practice, Panoramica is integrated into the programming of the festival itself, as well as on its website with a series of conditions such as viewings with geo-blocking, specific dates or viewing limitations.

Tristan Priimägi Elmo Nüganen’s historical crime thriller “Melchior the Apothecary” has become the first Estonian film to cross the 50,000 admission mark at the local box office in the two years of the pandemic. The film, which was released by Hea Film on April 11, tops the box office with 57,456 admissions, according to Film New Europe. The pic is the initial instalment in a trilogy – the first time a movie trilogy has been produced in Estonia.

Patrick Frater Asia Bureau ChiefThe Cannes Film Marché has unveiled the full lineup of its Ukraine in Focus program which will provide Ukrainian filmmakers and producers with networking, pitching and co-financing opportunities over two days during the Cannes Film Festival, on May 21 and 22.Under the program, key market initiatives such as Goes to Cannes, Cannes Docs Showcase and the Producers Network will be skewed towards projects and executives from Ukraine in order to support the country which was invaded by Russia on Feb. 24 and has been at war since then.

Vladimir Putin once warned that he could have Russian troops in six capital cities in just 48 hours, it is claimed.

Anna Marie de la Fuente Following the success of their collaboration on Nicolás Postiglione’s debut feature “Immersion,” production shingles Whisky Content of Mexico and Chile’s Juntos Films have forged a medium-term strategic alliance for the joint development of nine films in six years.The agreement comes just days after the premiere of “Immersion,” a thriller headlined by Chile’s most bankable star, Alfredo Castro, at the Miami Film Festival where its poster won the Best Poster Design Award. The film has already racked up top awards from the festivals of Guadalajara, Tallinn Black Nights and Punta del Este.The move also comes as further cooperation among Hispanic companies continue apace in response to the increasing challenges of local content production.

Manori Ravindran International EditorTurkish writer-director Cenk Ertürk has signed with CAA for representation in all areas.The Istanbul-based Ertürk made his debut with “Noah Land,” which he developed as a Cannes Cinéfondation resident in 2016, and ultimately premiered at the Tribeca Film Festival in 2019, where it won awards for best screenplay and best actor in the international category. The wins were a first for a Turkish project at the New York festival.The film follows an ailing father and son who travel to a village where the former grew up in order to carry out his dying wish to be buried under a particular tree.

Naman Ramachandran Radhika Madan, star of 2018 Toronto winner “The Man Who Feels No Pain,” will play the lead in acclaimed Indian filmmaker Sudhanshu Saria’s “Sanaa.” The film, a social drama, follows a headstrong and ambitious girl who is raging against an internal battle that is rooted in unhealed trauma.Saria is writing, directing and producing via his Four Line Entertainment outfit. Saria said: “I’ve always believed in making films that are ambitious in quality and rich in story and messaging. I’ve nurtured this dream for seven years and I couldn’t be more excited that Radhika Madan agreed to bring my titular character to life.

Anna Marie de la Fuente It’s a new dawn for Chile’s audiovisual industry. When Gabriel Boric, Chile’s youngest (at 35) and most left-leaning president since Salvador Allende, was elected in December, his pledge to more than double the state’s contribution to the arts was greeted with great fanfare.  After all, Chile’s prodigious film output this past decade has been remarkable despite the scant public support it has received. “If everything we have achieved in the last 10 years was done with so little money, imagine what we can achieve with an increase in audiovisual funding!” says Constanza Arena, executive director of Chile’s film promotion org, CinemaChile.In recent years, Chile has triumphed at the Oscars, starting when Pablo Larraín’s “No” was nominated for international feature in 2012, and culminating in an Oscar win for Sebastian Lelio’s “A Fantastic Woman” in 2017.

Anna Marie de la Fuente It’s a new dawn for Chile’s audiovisual industry. When Gabriel Boric, Chile’s youngest (at 35) and most left-leaning president since Salvador Allende, was elected in December, his pledge to more than double the state’s contribution to the arts was greeted with great fanfare.After all, Chile’s prodigious film output this past decade has been remarkable despite the scant public support it has received.“If everything we have achieved in the last 10 years was done with so little money, imagine what we can achieve with an increase in audiovisual funding!” says Constanza Arena, executive director of Chile’s film promotion org, CinemaChile.In recent years, Chile has triumphed at the Oscars, starting when Pablo Larraín’s “No” was nominated for international feature in 2012, and culminating in an Oscar win for Sebastian Lelio’s “A Fantastic Woman” in 2017.

With the Paralympic Winter Games on the immediate horizon, this is an exciting time for Perth’s Sheila Swan.

Christopher Vourlias The Tallinn Black Nights Film Festival will be heading to the Croisette for the first time to take part in the annual Goes to Cannes event, the Cannes Film Market’s pix-in-post industry showcase. Variety can reveal the five films that are slated to take part.“We’re very excited to bring our wolf pack to Cannes and the Marché du Film this summer,” said Tallinn Black Nights Film Festival director Tiina Lokk.