For his lucid and perceptive look at Stanley Kubrick's unparalleled body of work, Gregory Monro excerpts a number of archival clips.
It's not the filmmaker who's at the center of most of them but his collaborators, testifying to his exacting methods. Jack Nicholson anoints him "quintessentially perfectionist," Shelley Duvall marvels at the number of takes he required, Marisa Berenson recalls the long hours of setting up natural candlelight for Barry Lyndon, and Malcolm McDowell, having survived numerous injuries over the seven-month shoot for A Clockwork Orange, lauds the in-the-moment spontaneity of a true artist.
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