Armed with the comedic punch and snap of That Girl’s Marlo Thomas and the poise of Audrey Hepburn, Cristin Milioti has built a rapidly blossoming career of deconstructing the romantic heroine.The characters in repertoire may come off as the nice girlfriend, but they’re dealing with significantly more baggage than any Hepburn protagonist, from Holly Golightly in Breakfast at Tiffany’s to Regina Lampert in Charade, could bear.And by the way, it’s not the girl in Milioti’s world who has the problems, it’s the guy.Whether it’s an obsessed software developer boss whose trapped her in a Star Trek-like virtual game (the 2017 Black Mirror episode “USS Callister) or an overbearing paternal doorman who gets in the way of her promising love life (the
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