Peter Debruge Chief Film CriticInitially conceived as a one-man “rock monologue,” then taking on an unexpected new depth after the early death of its creator at age 35, Jonathan Larson’s “Tick, Tick… Boom!” is a show uniquely suited to the musical theater crowd — and not just the masses of fans Larson won over with “Rent.” It resonates especially strongly with the writers, performers and fellow creatives who can identify with how he articulated the struggle to be recognized, to make meaningful work and, according to the high bar Larson set for himself, to “wake up a generation.” People like Lin-Manuel Miranda.Before “Hamilton,” before even “In the Heights,” Miranda was inspired by what Larson had accomplished with “Rent,” discovering in.
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