Will Josephine Decker ever stop surprising us? While her style isn’t for everyone, there are a lot of devotees of Decker’s free-form, immersive, and deeply personal experimental dramas (including this writer).
Her last film, 2020’s “Shirley,” a seethingly interior take on the biopic formula, won over critics at the Sundance Film Festival that year, who praised it as her most ambitious to date.
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