Confidence is key in almost every aspect of life. With enough confidence, you can get away with quite a bit. You know, like turning a shallow premise and a low budget into a thoroughly watchable film.
This is exactly what Dasha Nekrasova has done with the new horror-thriller, “The Scary of Sixty-First,” a film that is absolutely dripping with so confidence—perhaps unearned bravado, as it is severely lacking in some key areas—that it almost allows you to look past its glaring flaws.
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