‘The Mouse Trap’ Review: You’d Be Surprised How Unexciting a Man-Sized Killer Rodent Can Be

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Dennis Harvey Film Critic This year saw one of the most zealously-guarded corporate empires of intellectual property spring a leak, as all the Magic Kingdom’s horses and men couldn’t keep Mickey Mouse from entering the public domain.

Strictly speaking, what was no longer protected were the first three shorts in which that fabled rodent appeared, all made in 1928 — so, under current U.S.

laws, their copyrights have now expired. Two years prior, the same thing happened to author A.A. Milne’s whimsical anthropomorphic creations.

That liberation resulted in the quickie horror cash-in “Winnie-the-Pooh: Blood and Honey,” a near-unwatchable enterprise that cheered no one outside its makers’ accountants.

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