Jessica Kiang Not every child with nascent paranormal abilities gets scooped up into Professor Xavier’s school for incipient X-Men.
Some, like those in Eskil Vogt’s superbly atmospheric, deftly crafted horror “The Innocents,” live in massive Norwegian tower blocks — concrete jungles set in deep forests bathed in cool, endless Nordic summer sun — and hone their powers on rocks and deeply unfortunate cats.
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