The work of visual artist Pascual Sisto is littered with ominous tedium. He infuses familiar settings with a quiet menace, invisible but inescapable.
Sisto’s highly anticipated feature debut, “John and the Hole,” is no exception. The film, which was selected for the last year’s Cannes Film Festival and eventually premiered at Sundance in January, was deliberately conceived as a “contemporary fable,” according to Sisto. “I didn’t want it to be magical or taking place in this other world,” he explained.
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